Un Frere et la Mer

Simple melodic guitar and percussion with feelings of fantasy, magic and a hint of oriental. Beautiful arpeggios layer upon each other in positive waves, accompanied by echoing vibraphone/glockenspiel, threatening to launch into the stratosphere. However the organic instrumentation keeps one foot steadfastly in reality, and what a nice lush reality it is 🙂 Perfect for a brand doc about something delicate and refined, feels a bit like you are flying above green pastures.

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Fast Life

Electronic track with samples and dark bassy beats. Fades in with electronic repeated riff and synth electric guitar sounds. Sustained synths and trap beats underpin the broad synth sound. High pitched sustained synth introduced. Fades in and out sporadically. Punchy, brash, moving with a strut, laid back but in your face, would suit an urban advert or background music for a youth culture documentary.

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Tell Me Now Darlin’

Country violin instrumental with piano. Violin, oom-pah bass and drums and tinkling piano to start. Slide guitar introduced for a solo. Wistful violin returns. Sentimental, warm and wholly nostalgic, harking back to a bygone time, would suit an advert that’s keepin’ it country, or a TV/Film moment of cheesy reverie.

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Silver Moon

Violin-led country-folk instrumental. Folky violin melody with occasional harmonies soars over wistful slide guitar, gentle electric guitar, double bass and steady drums. Warm, fuzzy and sentimental, perfect for a slightly cheesy, Waltons-style, wholesome American TV show or nostalgic advert.

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Medley: The Drink, The Sound, The Sea Elephas

Acoustic guitar medley of styles. Bright acoustic guitar, bobbing along with growing intensity and heavier chords. After 3 mins, new section, more improvisatory with hints of tension, ending on waves of strummed guitar. Hopeful, nostalgic and sincere, sounding like the movement of water, still then stormy, would suit a journey, personal or physical, in Documentary or Film/TV.

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The Art of Being Sneaky

Pink Panther-esque jazz instrumental. Double Bass jazz motif tip-toes across the track, joined by clipped hand drums, Rhodes piano keyboard sound and sound effects. Mysterious, playful and suspenseful, perfect for an onscreen intrigue or a pastiche of retro whodunnits.

13 sec version available.

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Piñata (Suite)

Fun brass and guitar romp. Drums and energetically strummed acoustic guitar intro with piano chords. Brass enters, playing a punchy, upbeat repeated phrase. Track builds, instruments doubled to an abrupt, triumphant finish. Fun, happy, energetic and celebratory, would suit a fun TV montage, our characters plotting a hilarious surprise, or the Bananas in Pyjamas planning a secret birthday party. Also suitable for feel-good family summer adverts.

No Drums, No Brass versions available.

No Brass version available.

30 sec ad length version available.

Stem tracks available on request.

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Two

Relaxed rhodes piano with scatterings of upright bass, this is lounge jazz at its loungiest. Bordering on cheese but never quite getting there, feels like slightly kitsch splendour, glossy wonder, plastic fantastic, dripping with minimal sophistication. “Is that a cocktail shaker in your pocket or are you just happy to see me?”. Perfect for opulent scenes.

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Pagume

African jazz instrumental. Snaking double bass intro, joined by jazz drums, vibraphone, electric guitar and keyboard playing a rhythmic motif. Change of rhythm, horn blasts then saxophone melody, subtle African-jazz style, effects-heavy electric guitar solo, brass noise before vibraphone motif returns and all play until the finish. Intriguing, exotic and sensual, with hints of Mulatu Astatke and a little Fela Kuti influence, would suit a travel documentary or Film/TV scene evoking the spirit of a hot night in urban 1970s Africa.

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Never Wanna Say

Synth pads and grooving hi-hat introduce a bold kick. Evolves by the book into an early house classic with 808 snares and claps. At 1:48 muted synth chords start stabbing the air, gradually building tension until dropping into a tight groove. Reminiscent of the music to “Good life” by Inner City, with better production. Retro, confident and driving. Vox version has a soulful male voice (Elliot Chapman).

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