Mysterious multi-instrumental. Atmospheric feedback intro followed by oom-pah-pah waltz rhythm and childish marimba melody. Orchestral strings and accordion join with a Gallic-inspired melody, reminiscent of Amélie. The melancholy gives way to excitable, erratic rhythms on all instruments, before a dynamic final section with passionate violin and jumpy marimba. Magical, melancholy and manic, perfect music to accompany a rainy midnight walk through the streets of Paris, only to end up in a sleazy speakeasy at the centre of an absinthe-sodden freakshow.
Melancholy piano track. Anticipatory block piano chords, building to a crescendo then fading…a morose melody is introduced over the plaintive chords. Chords turn to wave-like broken chords undulating rapidly beneath the melody. A sombre melody takes off, building to include some subtle brass accompaniment, reminiscent of french accordion music. Dark and sullen, yet romantic and searching. Suitable for a rain-soaked walk home after a loveless encounter on TV/Film; a sad and lonely character who still yearns for an old flame.
Jazz piano solo. Relaxed jazz chords, sparse and measured. A tense repeated phrase leads to a pensive, sombre melody with hints of hope from high piano notes. A meandering improv-like melody deviates from the original chords progression before a quiet, content ending. Thoughtful, intense and reflective, a moody piano number perfect for a the heightened tension of a romantic love scene. Two star-crossed lovers on separate paths through rain soaked streets. One in Paris, the city of lights, the other in Woody Allen’s New York…will their paths ever meet again?
Solo piano. Jazz chords straight out of a classic movie scene set in a smoky cavernous jazz club. Slow chordal movement at first, sweet and lyrical, moves to a confused romantic motif with some dissonance, chords grow in volume and intensity, a declaration of love. Back to the introductory chords, more relaxed now with hints of unsettling dissonance. Romantic, confused and reckless, a love letter to early jazz, on Film/TV, would suit a La La Land style, modern interpretation of heady jazz-age love.