Zomorud

Instrumental fusion of Greek, Turkish and Irish folk musics. Unpredictable time signatures, non-Western scales and rolling melodic phrases played on Cretan lyra and Middle Eastern saz, joined by violin and subtle percussion. Murky and intricate, growing in speed and intensity throughout. Sombre yet determined, delivered with passionate vehemence, perfect music for a global documentary or Film/TV scene representing Turkish or Middle Eastern culture.

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La Peru

Peruvian instrumental with charango and cajón. Stringed, guitar-like charango plays a melancholy melodic hook, while a second charango provides intricate accompaniment. Gentle percussion from cajón gives a subtle rhythmic flavour while supporting the melody. Emotional, passionate yet quiet and restrained, reminiscent of Manu Chao, full of romantic anticipation to suit a sizzling onscreen lovers’ dance or for a travel documentary or advert with a Latin influence.

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Little Green

Violin instrumental in waltz time. Two violins play an Irish-style repeated folk melody, intertwining, bowing with a rough and ready quality. Plaintive, melancholy and mesmeric, a fusion of Irish and Middle Eastern tonality, perfect for a documentary about either part of the world, or a hypnotic onscreen dance of cultures.

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No More Rain

Spanish guitar instrumental with cajon and flute. Melancholy melody played on guitar with subtle percussion, ornamented flute joins on melody. Guitar break with Flamenco-like hand claps. Sparse guitar section joined by subtle shaker. Romantic, passionate and slightly desolate, a delicate dance, the perfect accompaniment to an onscreen love story set in the summer heat of Andalusia.

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Mantis

Folk fusion instrumental on Cretan lyra and fiddle. A cirucular melody on Cretan lyra is doubled on fiddle and joined by subtle percussive hand claps, sounding at once like Austrian mountain folk without the yodelling and like a weaving Middle Eastern melody. Thoughtful and open yet formulaic in its structure, wandering music for an epic nature walk, perfect for a travel or nature documentary.

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Puddle Pondering

Hypnotic improvisational string track on Cretan lyra. Layers of overlapping Cretan lyra play drone-like modal phrases. At 3 minutes, the various lines come together along with added percussion, to form a more driving, unified, full melody, growing in intensity with hints of Irish folk music and Arabic music, to a powerful ending. Mesmerising, contemplative and experimental, singular sounds for a documentary looking at lesser-known cultures, spiritual places or undefinable combinations of cultures.

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San Marino

Gentle pastoral orchestral string track with soothing male vocals. Slow, atmospheric intro of harp and percussion establishes a hypnotic plod before male ‘Aaahs’ softly wash over the instrumental bed. Subtle sustained woodwind added, along with sparkling percussion and orchestral strings, tambourine and flute. Calm, peaceful with a hint of excited anticipation. The Wicker man meets Green Man Festival, perfect for a fantastical film moment, a trippy woodland adventure, a Wicker Man-style , or nature documentaries.

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Girift

Acoustic instrumental on cretan lyra and Turkish saz. Medium-paces introductory phrases, building in texture, complexity and speed, with a central melodic idea emerging. Bowed fiddle-like instrument joins with an earthy modal melodic passage, along with light, sparse percussion. Dynamic, mysterious and hypnotic, a cyclical effect of returning to the beginning, suitable for video work focused on the Middle East or Mediterranean, or a film/drama wanting an authentic, raw acoustic sound or an Arabic feel.

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Fly Paper

Experimental pop with vocals. Breathy, reverb-laden vocals over Dirty Projectors-style noodling electric guitar, unpredictable rhythms and rattling percussion. Sparse, washed out electric guitar chords replace vocals over jerky percussion. Repeats. Thoughtful, dreamy and romantic, perfect for a reflective indie film scene or nostalgic TV drama outro.

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It’s Just What I Think

Nostalgic soundtrack to kids playtime. Naive intro on warm, retro keys. Joined by sound effects, tinkling cans and crunching paper. Vocal ‘Ooohs’ enter with uplifting drums, interrupted by spoken word samples. A steady drum beat, keys and percussive tin can groove settles in, sounding like a microscopic recording of ants in work in the backyard. A new synth-led section brings fantasy, twinkling lights and gurgling sound effects, before a return to the melody with added percussive effects. Innocent, hopeful and nostalgic, suitable for a heartwarming advert looking at families, kids and the joys of childhood.

Instrumental and vocal versions available

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