Coffee Hits (Suite)

Upbeat commercial pop/rock. Bright summery guitar intro with indie jangly vibes. Fun, catchy melody joins on synth before a guitar break, then a repeat. Happy, positive, fun and energetic, perfect jingly tune for a hopeful advert for a bright and sunny product.

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      Coffee_Hits_No_Leads_JPM_version
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      Coffee_Hits_60_secs_JPM_version
      Coffee_Hits_30_secs_JPM_version
      Coffee_Hits_15_secs_JPM_version

Don’t Let Me Slide

Uplifting orchestral pop instrumental. Piano block chords intro with string swells. Beats join, followed by a chorus of bright piano chords and soaring orchestral strings with electric guitar ringing out above. Verse again, then upbeat chorus with extra electric guitar cutting through the orchestral bed. New section of acoustic, electric guitar and anticipatory drums before a return to the right-on guitar peals and full pop/rock chorus featuring slide guitar. Confident, hopeful and positive, bright-eyed and bushy-tailed classic American radio pop/rock. A perfect, slightly cheesy, accompaniment to an audacious advert or rousing TV/Documentary scene.

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Bouncing and Flying

Macho guitar and synth track. Chiming, fast-paced piano chords with muted percussion underpin the intro with a brash electric guitar melody joining above. Bass guitar introduces a fuller section with solid drums and more guitar. Harpsichord-like synth break imitates the piano chords, all instruments rejoin. Determined, driven and serious, the perfect no-nonsense track for an investigative documentary or neutral commercial.

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Way to Go

Summery pop instrumental. Bright synths, claps and chugging percussion introduce the happy, soaring chorus and simple melodies. Layers of warm synth build and envelop, creating a glowing ball of sunshine and fake tan. Happy, hopeful and fun, perfect music for a summer advert, optimistic TV drama, or Love Island-style sunset montage.

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Fly Paper

Experimental pop with vocals. Breathy, reverb-laden vocals over Dirty Projectors-style noodling electric guitar, unpredictable rhythms and rattling percussion. Sparse, washed out electric guitar chords replace vocals over jerky percussion. Repeats. Thoughtful, dreamy and romantic, perfect for a reflective indie film scene or nostalgic TV drama outro.

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Eclipse

Breezy electronic track. Fat 90s synths ring out over a steady dance beat. Tinkling electronic effects create texture, the pitch moves up and discords ring out. Counter melody on synth and bouncier beats bring a laid back energy. Fun, chilled and happy, a stress-free 90s throwback, kind of cheesy but fun, a sophisticated Vengaboys meets Pet Shop Boys.

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Light Wind

Naive hyperpop. Catchy synth melody over sweet synths and a serious beat build. Beat drops, wobbly synths, whooshing samples and warm, enveloping, pretty chords. Another build, squeaky synths and a beat break. Happy, sincere, cute and sparkly, like the bonkers kawaii of PC Music, or computer game music, perfect for Reality TV montages/interludes, or adverts for young and fun summer festivals, or rainbow computer game fantasy worlds.

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Evolving

Upbeat electronic track. Cute synths and samples, compressed beats, arpeggiated synth, quirky beats and insistent rhythms. Hyperactive build then big drop into sparkling fantasy synth world of colourful fluffy creatures, shimmering pink lakes, diamanté mountains and rainbows. Warm, sweet with a hint of knowing but sincere naivety, like a PC Music track, perfect ultra pop, would suit adverts for futuristic, high tech yet fun devices, or young TV or Reality shows.

No Lead version is lighter, more open. Perfect commercial TV soundtrack.

No Drums and No Bass versions available.

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New Elevator

Electronic synth track. Breezy synth intro with chunky tropical beats underneath. Chilled beats and a laid back lounge vibe. Synth build to a funkier section, more prominent funk bass guitar and catchy synth motif. Fresh, colourful and bright, synth sunshine, calming background music in a luxury elevator or lounging in a flashy spa. “Been around the world and ay-ay-ay…” Lisa Stansfield lounging in early 90s ibiza, perfect for smooth and cheesy adverts and similar TV.

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Sure Thing

Commercial electronic pop track. Bouncy fat synth intro interspersed with bleepy synths and a chugging rhythmic beat base. Melodic synth section over the beats. Flute-like samples added. Sparse synth break, opens up to a bright, summery, warm synth section. Rhythmic section before dramatic key change, taking things up a notch to reach dizzying heights. Positive, happy and contemporary, like a Katy Perry instrumental. Now That’s What I Call Summer- slightly trashy holiday pop. Would suit reality TV or carefree, family adverts.

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