Queen of the Bees

Playful, percussive, pizzicato orchestral string track. Magical swooping strings and choppy, characterful violins duel over a swirling bed of orchestral hum with plucked violins and dynamic double bass adding further layers of texture. Quirky, pastoral and full of giddy anticipation, perfect for a nature programme on the fleeting buzzing of insect life, or equally suitable for a Christmas segment building seasonal excitement.

      Queen_of_the_Bees-JPM_version

Late Nights

Atmospheric, brooding electronica. Warm, pulsating synth intro joined by chilled r’n’b/trap beats and breathy female vocal samples. Laid back, calm and dreamy, perfect for a breezy onscreen moment or glamorous advert.

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G Code

Sombre urban electronica. Dark synth lines, pulsating beats and hand clap effects, joined by epic synth chords and broken phrases of a mournful piano melody. Downbeat, melancholy and uneasy, would suit an earnest TV scene or documentary exploring a troubling issue.

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Demogorgon

Short, driving synth track. Chiming, repetitive synth riff with heavy delay, pause then bouncy, bassy, arpeggiated synth build. Insistent, inspiring and assured, a colourful, neon ride through a nocturnal retro-future, perfect for a propulsive advert, or wistful, upbeat Tron-like TV scene.

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Different Rock

Serious rock/pop with beats. Slow build with bold guitars and trap beats. Subtle beats underpins wailing electric guitar and a hooky piano part, sounding like a more chilled version of System of a Down. Cocky, confident and determined, an assured rock track to suit a decisive TV moment or flashy, aspirational car advert.

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Club Inferno

Dark, shadowy electronic track. Intro fades in from darkness, wavy synths growing louder with a whistle-like synth build about to boil over. Builds again before the womps fade to nothing. Bassy, dank and murky with fizzing, feedback-like effects, would suit an edgy documentary or urban advert.

      Club_Inferno-JPM_version

Lost in the Grid

Deep, dark, drum ‘n’ bass. Tinny, delicate fast beat intro, joined by D’n’B beats and a chilling build on glacial synths. Full beat drops, womps over a harsh electronic beat sample , glassy and hard. Laser beats and vocal samples shoot through, building a tense, claustrophobic atmosphere. Dark, threatening and strange, a nightmarish soundscape, like a post-apocalyptic world of malfunctioning technology gone rogue.

      Lost_in_the_Grid-JPM_version

The Slip Up

Irish-Cretan slip-jig. Fusion of Irish and Cretan styles, Irish slip jig form played on saz (stringed instrument like an oud or mandolin), Cretan lyra and bendir percussion lending an Eastern Mediterranean and modal Arabic sound to the uptempo dance tune. Mysterious, tense and energetic; a curious, lively dance of different cultures with a singular, hypnotic sound.

      The_Slip_Up-JPM_version

Coral Blue

Expansive, dreamy synthscape. Subtle motorik beats and dreamy synth intro. Fleeting beats and warm, full synths expand through the Universe, joined by bass-like synth line and hooky synth melody. Effects-laden arpeggios unfold into the atmosphere. Colourful, magical and vast, perfect rainbow-hued track for dream-like TV/Film sequence or playful yet ambitious documentary.

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Zomorud

Instrumental fusion of Greek, Turkish and Irish folk musics. Unpredictable time signatures, non-Western scales and rolling melodic phrases played on Cretan lyra and Middle Eastern saz, joined by violin and subtle percussion. Murky and intricate, growing in speed and intensity throughout. Sombre yet determined, delivered with passionate vehemence, perfect music for a global documentary or Film/TV scene representing Turkish or Middle Eastern culture.

      Zomorud-JPM