Naive hyperpop. Catchy synth melody over sweet synths and a serious beat build. Beat drops, wobbly synths, whooshing samples and warm, enveloping, pretty chords. Another build, squeaky synths and a beat break. Happy, sincere, cute and sparkly, like the bonkers kawaii of PC Music, or computer game music, perfect for Reality TV montages/interludes, or adverts for young and fun summer festivals, or rainbow computer game fantasy worlds.
Mysterious electronic synth track. Repetitive synth intro, bouncy and arpeggiated, with spooky synth whooshes. New section of spookier synth riff, twinkling percussive bells and strings straight out of an old James Bond film, building anticipation. Sustained synth section with shuffling percussion becomes a dynamic, rhythmic synth section. Like Santigold but weird and wonky, topsy-turvy. Plodding yet classy, a real mystery. Intriguing and beguiling, would suit a provocative advert, a flashy product, sexy and stylish but a hint of danger.
Fat synth track. Glistening synth chords, light, glassy trap beat, fat full synth builds, deep, sparse, throbbing beats added. Helium vocal samples before a jittery beat break. Mini drop into spacey full synth section with samples. Futuristic and bright with a slightly icy air of anticipation, perfect suspenseful background music for reality TV or fashion/youth culture documentaries.
Upbeat electronic track. Cute synths and samples, compressed beats, arpeggiated synth, quirky beats and insistent rhythms. Hyperactive build then big drop into sparkling fantasy synth world of colourful fluffy creatures, shimmering pink lakes, diamanté mountains and rainbows. Warm, sweet with a hint of knowing but sincere naivety, like a PC Music track, perfect ultra pop, would suit adverts for futuristic, high tech yet fun devices, or young TV or Reality shows.
No Lead version is lighter, more open. Perfect commercial TV soundtrack.
No Drums and No Bass versions available.
Electronic synth track. Breezy synth intro with chunky tropical beats underneath. Chilled beats and a laid back lounge vibe. Synth build to a funkier section, more prominent funk bass guitar and catchy synth motif. Fresh, colourful and bright, synth sunshine, calming background music in a luxury elevator or lounging in a flashy spa. “Been around the world and ay-ay-ay…” Lisa Stansfield lounging in early 90s ibiza, perfect for smooth and cheesy adverts and similar TV.
Clean electronic track with drones. Slow, sustained harsh electronic, sitar-like drones, high pitched and spiritual. The tune drops, bleepy, cute and warm, sounding ultra modern with a suggestion of African rhythms. Drones re-enter, causing an interesting clash of moods, bright and bubbly vs pensive and introspective. Beat break, beats return and drones intensify. Mysterious and other-wordly, new and ancient, sparkling electronics contract with harsher, earthier tones, at once like Mura Masa feat, Charli XCX and Indian classical music. Would suit a fresh advert or TV show, visuals both cutting edge and ethereal.
Commercial electronic pop track. Bouncy fat synth intro interspersed with bleepy synths and a chugging rhythmic beat base. Melodic synth section over the beats. Flute-like samples added. Sparse synth break, opens up to a bright, summery, warm synth section. Rhythmic section before dramatic key change, taking things up a notch to reach dizzying heights. Positive, happy and contemporary, like a Katy Perry instrumental. Now That’s What I Call Summer- slightly trashy holiday pop. Would suit reality TV or carefree, family adverts.
Energetic and playful, with a modern pop-rock arrangement driven by a combo of acoustic/electric guitars and a four-on-the-floor kick drum that make for a fun and dynamic episode of music. Great for a variety of settings, including teen comedies scores, corporate videos and TV shows. Available with and without vocals.
Bouncy synth track. Driving rhythm underscores a bright, triumphant synth melody on top. Another synth line is added, the track awash with sustained synths. A synth break and back to the full melody. Motorik, upbeat and positive, perfect for mid-paced driving visuals. 80s synthpop with hints of indie and a warm glow of nostalgia, also a perfect match for retro TV/Film/Doc scenes.
Electronic synth track. Pulsating synth intro joined by bell-like synth notes playing a cute, naive melody. Fat synth joins, Kraftwerk-like beats and blobby synths in counterpoint over the steady pulse. German male vocals join later, robotic and rhythmic, followed by a modular synth-like analog section. Fun, silly, retro and triumphant. At once cutesy and motorik, a contrast between hard and soft, perfect for a shiny advert or a fun, nostalgic TV/Film scene.