Irish-Cretan slip-jig. Fusion of Irish and Cretan styles, Irish slip jig form played on saz (stringed instrument like an oud or mandolin), Cretan lyra and bendir percussion lending an Eastern Mediterranean and modal Arabic sound to the uptempo dance tune. Mysterious, tense and energetic; a curious, lively dance of different cultures with a singular, hypnotic sound.
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Zomorud
Instrumental fusion of Greek, Turkish and Irish folk musics. Unpredictable time signatures, non-Western scales and rolling melodic phrases played on Cretan lyra and Middle Eastern saz, joined by violin and subtle percussion. Murky and intricate, growing in speed and intensity throughout. Sombre yet determined, delivered with passionate vehemence, perfect music for a global documentary or Film/TV scene representing Turkish or Middle Eastern culture.
Cumbus Long Neck
Improvisation on Turkish cumbus, stringed, oud-like instrument. Free-form improviation with runs, ornamentation, repetition and silent pauses, growing slightly faster and more intricate towards the end. Mysterious, intimate and sparse, Turkish and Middle Eastern sounds perfect for a documentary about the region or to accompany a vast, deserted landscape onscreen.
Bombay
Meditative oud instrumental with male vocals. Upbeat, melodic oud, resembling sitar, repeating melodic ideas with sparse hand drums and intermittent guttural vocals on top, reminiscent of North Indian Classical Music. Plodding yet rhythmic and driving with an improvisatory feel, perfect for a Film/TV scene set in a vast, unfolding Middle Eastern landscape.
Baglama Taksim
Saz or baglama instrumental. Mid-tempo Arabic saz solo, a stringed instrument like a lute or guitar, resembling the Arabic oud, sounding like English folk or American country at times, with a strong Middle Eastern sound. Determined and energetic yet thoughtful and reflective, would suit documentary or TV/Film centered around the Middle East, matching the lively pace of life.
Autoharp
Meditative Arabic instrumental for autoharp. Repeated musical ideas are explored and improvised upon, meandering phrases and pauses allow the resonance of the instrument to ring out. Reflective, quiet and thoughtful, perfect for Arab documentaries or contemplative Film/TV.
Sahara (Ney version)
Arabic ney track. Intermittent ney phrases with elaborate ornamentation and an improvisatory feel, accompanied by a tense drone, anticipatory percussion and subtle snaking string parts. Mysterious, tense and thoughtful, an unsettling build, powerful background music for a documentary set in the Arab world.
Version available without percussion.
Oud versions available.
Sahara (Oud version)
Arabic oud track. Fragmented melodic phrases on oud, accompanied by a tension-building drone. Subtle percussive hits add further anticipation. Suspenseful, atmospheric and mysterious, the perfect soundtrack to a Spaghetti Western set in the Middle East.
No percussion version available.
Endless Sands
Oud instrumental with strings drones. Oud improvisational melody with a string drone building atmosphere and tension. Intermittent percussive snare rumbles punctuate the drone. Rhythmic percussion introduced and some vocals and a short expressive but subtle ney interlude. Anticipatory, mysterious and exciting, perfect evocative Arabic instrumental to soundtrack documentaries or travel shows.
Alt versions have a more free and meandering feel.
Little Green
Violin instrumental in waltz time. Two violins play an Irish-style repeated folk melody, intertwining, bowing with a rough and ready quality. Plaintive, melancholy and mesmeric, a fusion of Irish and Middle Eastern tonality, perfect for a documentary about either part of the world, or a hypnotic onscreen dance of cultures.