Less is More

Dark breakbeat EDM. Muted bass line with orchestral string drone and flurries of 90s-style breakbeat drum samples. Full on breakbeat enters with intermittent Middle Eastern samples. Driving, powerful and harsh with a hint of melancholy. Would suit a topical, Vice-style documentary or advert for cutting edge trainers.

      Less_is_More-JPM_version

Marrakech

Hip hop / Arabic fusion. String intro, swooping and choppy, beats drop in contrast, harp-like synth noodling on top brings lightness. Flute takes on the melody to end. Serious, determined and intriguing, insistent strings and beats to suit cross-cultural content.

      Marrakech-JPM_version

The Slip Up

Irish-Cretan slip-jig. Fusion of Irish and Cretan styles, Irish slip jig form played on saz (stringed instrument like an oud or mandolin), Cretan lyra and bendir percussion lending an Eastern Mediterranean and modal Arabic sound to the uptempo dance tune. Mysterious, tense and energetic; a curious, lively dance of different cultures with a singular, hypnotic sound.

      The_Slip_Up-JPM_version

Zomorud

Instrumental fusion of Greek, Turkish and Irish folk musics. Unpredictable time signatures, non-Western scales and rolling melodic phrases played on Cretan lyra and Middle Eastern saz, joined by violin and subtle percussion. Murky and intricate, growing in speed and intensity throughout. Sombre yet determined, delivered with passionate vehemence, perfect music for a global documentary or Film/TV scene representing Turkish or Middle Eastern culture.

      Zomorud-JPM

Cumbus Long Neck

Improvisation on Turkish cumbus, stringed, oud-like instrument. Free-form improviation with runs, ornamentation, repetition and silent pauses, growing slightly faster and more intricate towards the end. Mysterious, intimate and sparse, Turkish and Middle Eastern sounds perfect for a documentary about the region or to accompany a vast, deserted landscape onscreen.

      Cumbus_Long_Neck-JPM

Bombay

Meditative oud instrumental with male vocals. Upbeat, melodic oud, resembling sitar, repeating melodic ideas with sparse hand drums and intermittent guttural vocals on top, reminiscent of North Indian Classical Music. Plodding yet rhythmic and driving with an improvisatory feel, perfect for a Film/TV scene set in a vast, unfolding Middle Eastern landscape.

      Bombay-JPM_version

Baglama Taksim

Saz or baglama instrumental. Mid-tempo Arabic saz solo, a stringed instrument like a lute or guitar, resembling the Arabic oud, sounding like English folk or American country at times, with a strong Middle Eastern sound. Determined and energetic yet thoughtful and reflective, would suit documentary or TV/Film centered around the Middle East, matching the lively pace of life.

      Baglama_Taksim-JPM_version

Autoharp

Meditative Arabic instrumental for autoharp. Repeated musical ideas are explored and improvised upon, meandering phrases and pauses allow the resonance of the instrument to ring out. Reflective, quiet and thoughtful, perfect for Arab documentaries or contemplative Film/TV.

      Autoharp-JPM_version

Sahara (Ney version)

Arabic ney track. Intermittent ney phrases with elaborate ornamentation and an improvisatory feel, accompanied by a tense drone, anticipatory percussion and subtle snaking string parts. Mysterious, tense and thoughtful, an unsettling build, powerful background music for a documentary set in the Arab world.

Version available without percussion.

Oud versions available.

      Sahara_Ney-JPM_version
      Sahara_Ney_No_Perc-JPM_version

Sahara (Oud version)

Arabic oud track. Fragmented melodic phrases on oud, accompanied by a tension-building drone. Subtle percussive hits add further anticipation. Suspenseful, atmospheric and mysterious, the perfect soundtrack to a Spaghetti Western set in the Middle East.

No percussion version available.

      Sahara_Oud-JPM_version
      Sahara_Oud_No_Perc-JPM_version