Bad Evil

Suspenseful orchestral track. Foreboding sustained cello note intro before choppy violins join with a sense of urgency over soaring orchestral violins. Brazen brass blasts a slow salute before a tense and troubled violin shaky violin break. A dark fast-moving sea of choppy violins and clashing notes. The clouds part with a more triumphant section as the initial violin motif returns, seemingly victorious. Sombre, threatening and frightening,perfect action film music, for when the going gets tough and it looks like our heroes will suffer a crushing defeat. Instead, they hold on to power…for now.

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Girift

Acoustic instrumental on cretan lyra and Turkish saz. Medium-paces introductory phrases, building in texture, complexity and speed, with a central melodic idea emerging. Bowed fiddle-like instrument joins with an earthy modal melodic passage, along with light, sparse percussion. Dynamic, mysterious and hypnotic, a cyclical effect of returning to the beginning, suitable for video work focused on the Middle East or Mediterranean, or a film/drama wanting an authentic, raw acoustic sound or an Arabic feel.

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Repugnant Criminal Theme 1 (Suite)

Foreboding orchestral track with female vocals. Melodramatic build with pounding percussion and unsettling sound effects leading to a choppy violin theme. Soaring violins and operatic female ‘Aaahs’ adding tension and excitement. Bold, grandiose and suspenseful, the perfect soundtrack to an action-packed advert or theatrical film trailer.

No Strings and Strings Only versions available

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Road To Somewhere

Bouncy electronic track. Arpeggiated synth, soft beats, washes of warm synth chords and an effects-laden wistful synth melody. Settles into a cheesy 80s groove, dynamic undulating synths underneath the hopeful melody line. Positive, romantic and nostalgic, Dire Straits does synthpop, perfect for a retro, optimistic, aspirational TV/Film soundtrack or advert.

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A Big Score

Experimental, tropical instrumental with brass and percussion. Wavy brass and woodwind and sparse frenetic double bass, oud-like guitar with shakers, drums and orchestral percussion begin a 2-part musical journey in Casablanca, or some other city of intigue and passion. Marching band snare gives way to tropicalia on shakers, bass, acoustic guitar and wah wah effects. All the colour and life of a tropical jungle dances sweatily together with brass holding the Latin-style melody. Retro, intriguing yet sexy and ambient, suited to an ambitious Film/Doc or TV show set in sensual, sunny climes or an atmospheric summery advert for a passion-inducing indulgence.

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A Body Up Against Itself

Folk rock instrumental. Short ambient intro, then main intro of mandolin with strummed guitar chords, solid drums a strong bass line join, adding punch and depth. Arpeggiated synth then an electronic break with synth strings, muted, faraway drums and atmospheric synth before the drums, bass and guitar kick in again. Confident and strident, yet thoughtful, folky with a harsh rock edge, perfect TV theme music to suit a terrestrial drama, or for an adventure/travel advert for the British outdoors.

No Drums, Stems and Ad length versions available

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Evening Star

Pensive piano track with electronics. Fast-paced, wave-like piano with electronic swells. Undulating repeated piano underneath a simple piano melody and airy electronics build an absorbing fantastical world. Breathless, atmospheric and dynamic, with a hint of melancholy. Piano poetry for screen to accompany the excitement and possibility of heady romance.

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Smoke Up

Bouncy electronic track with vocal samples. ‘ID please’ vocal sample, male vocal harmony sample, 90s R ‘n’ B vibes, bouncy synth, 90s West Coast hip hop-style samples and the sound of a creaking bed…Sexy, breezy and summery, like Boyz II Men over an 80s synth, a 90s throwback perfect for sun-soaked adverts or TV scenes.

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Frostwork

Hopeful piano solo. Bright piano notes over a repetitive, reassuring piano bass line of broken chords. Moves to fast block chords, in a delicate, waltz-like rhythm. A further layer of optimistic piano notes are added, building anticipation for a happy event or resolution. Positive, charming and happy-sad, perfect for a thoughtful, narrative advert or quaint TV/Film sequence.

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Vice

Imagine Beverly Hill’s Cop mixed with a bit of “It was acceptable in the 80s” and this is what you get. Unashamedly bold drums joined by rhythmic synth stabs and bass, then for me it really comes into it’s own around one minute in, when you realise that with the introduction of electric guitar that we are actually pretty funky up in here. Elements of fast cut establishing sequences, 80s montage scenes, dance scenes, retro stuff, and some sort of comedy scene where everyone is running around a big house without everyone knowing.

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