Can’t Stop Me

Blues rock stomper with attitude. Low-key, anticipatory build up on bass, drums and electric guitar, a heavy, stomping drum groove introduces a raw blues guitar riff and Black Keys-style scuzzy electric guitars. A psychedelic vocal refrain, ‘Can’t Stop Me Now’ of close male harmonies breezes in over the plodding beat. Shredding guitars solo before fade out. Cool, determined and badass, clean, slick, American blues rock for an advert or TV sequence with swagger.

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Little Green

Violin instrumental in waltz time. Two violins play an Irish-style repeated folk melody, intertwining, bowing with a rough and ready quality. Plaintive, melancholy and mesmeric, a fusion of Irish and Middle Eastern tonality, perfect for a documentary about either part of the world, or a hypnotic onscreen dance of cultures.

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Roots (Suite)

Acoustic guitar and piano track with experimental elements. Gentle acoustic guitar punctuated with electronic noise and water sounds. Joined by warm piano and hints of playfully subtle saxophone, minor chords growing in intensity and turning to major for a hopeful finish. Mysterious, cheeky and subversive, brings to mind a magical woodland scene of trees going walkies while your back is turned. Perfect for TV/Film/Docs, pastoral settings and subtly powerful storytelling.

Bed version is more intimate, featuring more raw, sparse acoustic guitar, brings out the scratchy, barely-there violin and teasing background noise.

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Loutar

Improvisation on loutar, an oud-like stringed instrument. Sparse improvised phrases growing to more melodic parts. Hypnotic, melancholy and raw, like the soundtrack to a western movie at first before taking on a North African feel when the melodic sections kick in. Perfect documentary soundtrack.

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Girift

Acoustic instrumental on cretan lyra and Turkish saz. Medium-paces introductory phrases, building in texture, complexity and speed, with a central melodic idea emerging. Bowed fiddle-like instrument joins with an earthy modal melodic passage, along with light, sparse percussion. Dynamic, mysterious and hypnotic, a cyclical effect of returning to the beginning, suitable for video work focused on the Middle East or Mediterranean, or a film/drama wanting an authentic, raw acoustic sound or an Arabic feel.

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Spirit Winds and Prairie Grass

Pastoral folk on solo acoustic guitar. Quiet, thoughtful chordal motifs and finger-picking guitar. Moving from minor to major like the sun breaking through the clouds. Gentle, introspective and tentative, yet hopeful, perfect for a spare, downbeat TV/Doc sequence or a relaxed advert.

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Requiem for L Lawson

Live instrumental acoustic guitar saga. Raw blues/folk acoustic guitar melody, repetitive melodic motifs. Lyrical mid-section to a more tense, frantic part, alternating between drama and calm moments. End section is like something out of a Western film, tense and sparse, with dramatic slide guitar, to a hopeful finger-picking final section. Sombre, dramatic and epic with moments of light, the nature of the live recording adding interesting imperfections. Different sections would suit various Film/TV/Documentary moments, would suit an American road trip or a nature documentary explore the American Wild West.

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