Atmospheric build with piano and orchestral strings. Sustained strings build anticipation, joined by a repeated piano phrase ringing out hopefully. Slow build to include prominent string swells and bubbling, dynamic electronics. Hopeful, inspiring and positive, like a more chilled Chariots of Fire, epic but without the climax. Would suit a decisive TV/Film moment or a slow-moving, heart-warming advert.
Atmospheric synth instrumental. Layers of echoing synth. Fat, warm, 80s reverb-laden sound. Sombre orchestral string effect, chiming piano and glacial beats gives a serious, driving feeling. Intriguing, mysterious and strange, Twin Peaks-style ambience crossed with Enya and the Crimewatch theme tune, would suit a dark TV drama or as tension-building background music to an eye-opening documentary.
Lurching synth doppler effect creates an atmosphere of uneasy tension. One note rings out, klaxon-like, joined by threatening synth sounds panning across a bleak sonic plain. Hi-hat underpins the score with added suspense. Dark, desolate and unnerving, with a heavy, mysterious atmosphere that suggests an enemy at your shoulder. Perfect for a prison break, an abduction or an escape.
Light version has a longer, more exposed synth note. Simple version only features the doppler effect synth sounds, no central sustained note.
Contemplative interlaced harp and piano. A repetitive harp intro is accompanied by sparse piano chords, interweaving, questioning and answering each other. Ever changing piano chords shift the mood, creating sombre moments as well as moments of hope and clarity. Sparse, delicate and emotional, torn but determined. Driving in a car through suburban America, Autumn leaves falling, crunching underfoot. Ringing out changes.
Harp and No harp versions are simplified melodies with an added synth drone.
An atmospheric slow-building track. Sustained synth notes cut through with glassy, overtone-like sound effects. This intensifies and fades as the track progresses, sometimes interspersed with bursts of mellow static. A fragile regular beat is established, then fades out. Fuller synth chords emerge. The thin beat is re-introduced, accompanying a slowly shifting progression of synth chords and radio static. A short, simple synth melody enters over the shifting chords and regular beat, turning into a single repeated note by the end. Hypnotic, chill, mysterious, icy cool. On film, accompanying an enigmatic landscape, real or imagined, a cold barren place at dusk or a bleak situation.
Dark and dreamy, featuring two distinctive sections: one with warm and fully charged synths, oppressing drones and skewed FX manipulation; the second with a tension-building 4-on-the-floor kick drum and a full a la Gorecki orchestral arrangement. Highly charged psychological thriller it’s the first application that comes to mind, but here there’s definite potential for a far deeper reach within your character’s wicked development. Scary.
Ethereal and delicate, a relaxing episode of synths and organs that is both looking at the inner and outer side of your character. Blissful and gently flowing up in a sky made of pink streams of consciousness, will suit utopian sci-fi and fantasy settings.
Slow and intense, a solo piano tune with a long reverb that conjures images of dreamy, haunted angels. It has a somewhat plasticky feeling that hits somewhere in the middle of being for real or just daydreaming. As it progresses the mood shifts into epic territories using long form drones and high pitched synth instances. We are probably watching passers-by from the top of an evanescent skyscraper.
Dreamy and hypnotic, a sapient episode of twisted synths, sustained and haunting bass drones, and heavily effected celesta that bring an unsettling and scary mood to the listener. It has a weird playful edge that evokes a sense of youth, though we are definitely not playing with positive characters here. Several applications, among those will suit teen thrillers, supernatural horrors with a delicate aftertaste.
Light and repetitive, with a slight Asian flavour given by the instrumentation and a mysterious ostinato played by a filtered glockenspiel. It has a synthetic edge that takes away any human element from the performance, making it robotic and repetitive, almost hypnotic. Yet, it does not evoke a particular sense of danger or deceit.