SH Intro

Bleepy electronics. Vocal sample like wind and synths like water evoke the natural world in an electronic soundscape. Peaceful, ethereal, calm and gentle, but still a little unnerving…suitable for an onscreen hallucination or dreamlike montage.

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San Marino

Gentle pastoral orchestral string track with soothing male vocals. Slow, atmospheric intro of harp and percussion establishes a hypnotic plod before male ‘Aaahs’ softly wash over the instrumental bed. Subtle sustained woodwind added, along with sparkling percussion and orchestral strings, tambourine and flute. Calm, peaceful with a hint of excited anticipation. The Wicker man meets Green Man Festival, perfect for a fantastical film moment, a trippy woodland adventure, a Wicker Man-style , or nature documentaries.

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Kronos

Piano and orchestral string build. Orchestral strings undulate under soaring strings building to a powerful percussive section with vocal-like electronic samples and continuing epic strings. Quiet section with vocals then percussion rejoins building anticipation and tension to a multi-layered textural soundscape. Contrasting soft piano section to finish. Strange, dark and intriguing, pagan sounds reminiscent of singular Scandinavian pop like the Knife. Perfect for an onscreen threat or a bold, epic and uncanny film or TV scene.

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Fly Paper

Experimental pop with vocals. Breathy, reverb-laden vocals over Dirty Projectors-style noodling electric guitar, unpredictable rhythms and rattling percussion. Sparse, washed out electric guitar chords replace vocals over jerky percussion. Repeats. Thoughtful, dreamy and romantic, perfect for a reflective indie film scene or nostalgic TV drama outro.

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It’s Just What I Think

Nostalgic soundtrack to kids playtime. Naive intro on warm, retro keys. Joined by sound effects, tinkling cans and crunching paper. Vocal ‘Ooohs’ enter with uplifting drums, interrupted by spoken word samples. A steady drum beat, keys and percussive tin can groove settles in, sounding like a microscopic recording of ants in work in the backyard. A new synth-led section brings fantasy, twinkling lights and gurgling sound effects, before a return to the melody with added percussive effects. Innocent, hopeful and nostalgic, suitable for a heartwarming advert looking at families, kids and the joys of childhood.

Instrumental and vocal versions available

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      Its_Just_What_I_Think-JPM_version

Repugnant Criminal Theme 1 (Suite)

Foreboding orchestral track with female vocals. Melodramatic build with pounding percussion and unsettling sound effects leading to a choppy violin theme. Soaring violins and operatic female ‘Aaahs’ adding tension and excitement. Bold, grandiose and suspenseful, the perfect soundtrack to an action-packed advert or theatrical film trailer.

No Strings and Strings Only versions available

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      Repugnant_Criminal_Theme_1_No_Strings_JPM_version

Friday (Woohoo!)

Upbeat rock track. Uptempo electric guitar, bass and drums, classic blues rock with fun vocal ‘woohoo’s. Catchy and engaging, like The White Stripes’ ‘Fell in Love with a Girl’. Loud, brash and ridiculously positive, perfect for an advert for weekend shenanigans, a tasty new beer or a fun foodstuff that can be shared at a big party for all your favourite people. Woohoo!

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These Waters Remember Part 1

Acoustic guitar track with female vocals. Slow intro of plucked, Spanish-style guitar with atmospheric reverb. Grows more fast-paced. Ethereal female vocals introduced at end. Sultry, mysterious and slightly melancholy, would suit a shot panning an arid landscape, or a strange romance on TV/Film, anticipation, lust and confusion in the desert.

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ily

Electronic synth track with female vocal samples. Looped sample of a nonchalant female vocal, repeated percussive synth notes lay down the syncopated beat, subtle hi-hat, before a drop to a downbeat chunky synth section. Breaks into more expressive female vocal and upbeat wonky synth part before the original sample returns. Relaxed, summery, cool and romantic, would suit a visual featuring emotional milennials lying around, on their phones, waiting for those magic letters to appear…ily

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Even Once (Suite)

Wistful solo jazz piano. A sustained note intro like raindrops followed by jazz chords, piano trills and a full melody. Pastoral, breathless and new, calling to mind the natural landscape, would suit a thoughtful film/doc/TV scene passing over a lush landscape refreshed and awake after a storm or a long winter.

Multi-instrumental version with warm strings, mellow saxophone and shuffling percussion joined by tinkling piano and a freak folk chorus of faraway voices, calling to mind Wickerman-style pagan England.

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