Vice

Posted on September 26, 2017 by jamie

Imagine Beverly Hill’s Cop mixed with a bit of “It was acceptable in the 80s” and this is what you get. Unashamedly bold drums joined by rhythmic synth stabs and bass, then for me it really comes into it’s own around one minute in, when you realise that with the introduction of electric guitar that we are actually pretty funky up in here. Elements of fast cut establishing sequences, 80s montage scenes, dance scenes, retro stuff, and some sort of comedy scene where everyone is running around a big house without everyone knowing.

Vice

Caribana

Posted on August 28, 2017 by Music Supervisor

Laid-back sample-heavy 90s-influenced jazzy hip hop. Samples including male vocals, a crowd of chatting revellers, hand drums, tambourine over an alternating fat synth chord. Opens up to include a bassy synth line and extra warm sunshine synths and gentle piano notes. Breezy, cool and laid back, perfect summer music for a chilled out party vibe, maybe on a rooftop in Brooklyn with a bunch of your beautiful stylish friends.

Caribana-JPM

Human Error (Suite)

Posted on July 19, 2017 by Music Supervisor

Soft instrumental electro track. Beats and synth fade in with swooshing electronic sound effects. Cute synth melody over motorik drum machine, steady drums and with shiny sustained synth chords above. Bass line introduced for volume then a sudden ending. Cheerful, upbeat and slight, would suit a feel-good advert for a fun and quirky type of foodstuff, or a cheesy Film/TV sequence.

1 min and 30 sec ad length versions available.

Human_Error-JPM

Human_Error_1_Minute-JPM

Human_Error_30_secs-JPM

Machina

Posted on May 30, 2017 by Music Supervisor

Melodic electronic track with strings. Bassy electronic beats, sombre synth and unsentimental strings. Smooth, sophisticated and slightly serious, would suit an advert for a glamorous new automobile or a thoughtful interlude on TV/Film.

Machina-JPM

Jazzting

Posted on May 10, 2017 by Music Supervisor

Dynamic, laid-back 90s jazz/lounge track. Shuffling jazz drums, warped sun-soaked synths, jazzy bass riff and delay-laden melodies. Chilled, fuzzy and a bit off-kilter, with hints of Stereolab and trip-hop. Perfect for a TV/Film sequence or montage moving across a landscape dappled in multi-hued sun spots.

Jazzting-JPM

Afterhours

Posted on April 25, 2017 by Music Supervisor

Dark, grimey dance track. Percussive build up. Foreboding bass synth is contrasted with a playful cowbell-like drum sound to make this fun but slightly sinister nighttime track. Exciting, cheeky and full of anticipation, an after hours jam for the last revellers, dark and sweaty but keeps its cool. Would suit an ad for a youth fashion brand or for a hedonistic TV sequence.

Afterhours-JPM

Remote

Posted on April 11, 2017 by Music Supervisor

Bouncy electronic track. Duo of arpeggiated synth lines, the punchy beat drops, groovy synth line, joined by high-hat drums. Melodic break of 90s-style percussive synth, a beat break, before an outro straight out of a French house track: warm, anticipatory major synth chords and a mellow bassline. Suspenseful at first, excited, upbeat, groovy and fun with a slight element of danger. suitable for a serious action film scene that gains a sense of humour as the action progresses. Or a chase scene or advert of varying moods, with an ever-changing backdrop throughout.

Remote-JPM

STFU

Posted on April 10, 2017 by Music Supervisor

Bass-heavy R’n’B/trap instrumental track. Heavy bass synth underpins the track while siren-like synths cry out overhead over blobby and trap beats. Dark, edgy and confident, suitable for adverts or Film/TV scenes of stylish kids in the club, posing and chilling to this.

STFU-JPM

Underworld

Posted on December 6, 2016 by Music Supervisor

Smooth electronica. Cold synth chords with heavy delay, bubbling bass synth notes, 90s trip hop-style drums, glitchy beats, fuzzy electronics and icy synths. Steady groove throughout. New section to finish: effects-laden piano and spacey synths take over. Fade out. Laid-back, cool, calm and detached, perfect for a TV Documentary in a clinical setting…Nurses on Call, Daredevil Doctors, or a smooth corporate video.

Underworld-JPM

Never Wanna Say

Posted on June 11, 2015 by jamie

Synth pads and grooving hi-hat introduce a bold kick. Evolves by the book into an early house classic with 808 snares and claps. At 1:48 muted synth chords start stabbing the air, gradually building tension until dropping into a tight groove. Reminiscent of the music to “Good life” by Inner City, with better production. Retro, confident and driving. Vox version has a soulful male voice (Elliot Chapman).

Never_Wanna_Say_Instrumental-JPM

Never_Wanna_Say-JPM

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