Human Error (Suite)

Soft instrumental electro track. Beats and synth fade in with swooshing electronic sound effects. Cute synth melody over motorik drum machine, steady drums and with shiny sustained synth chords above. Bass line introduced for volume then a sudden ending. Cheerful, upbeat and slight, would suit a feel-good advert for a fun and quirky type of foodstuff, or a cheesy Film/TV sequence.

1 min and 30 sec ad length versions available.

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Machina

Melodic electronic track with strings. Bassy electronic beats, sombre synth and unsentimental strings. Smooth, sophisticated and slightly serious, would suit an advert for a glamorous new automobile or a thoughtful interlude on TV/Film.

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Jazzting

Dynamic, laid-back 90s jazz/lounge track. Shuffling jazz drums, warped sun-soaked synths, jazzy bass riff and delay-laden melodies. Chilled, fuzzy and a bit off-kilter, with hints of Stereolab and trip-hop. Perfect for a TV/Film sequence or montage moving across a landscape dappled in multi-hued sun spots.

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Afterhours

Dark, grimey dance track. Percussive build up. Foreboding bass synth is contrasted with a playful cowbell-like drum sound to make this fun but slightly sinister nighttime track. Exciting, cheeky and full of anticipation, an after hours jam for the last revellers, dark and sweaty but keeps its cool. Would suit an ad for a youth fashion brand or for a hedonistic TV sequence.

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Remote

Bouncy electronic track. Duo of arpeggiated synth lines, the punchy beat drops, groovy synth line, joined by high-hat drums. Melodic break of 90s-style percussive synth, a beat break, before an outro straight out of a French house track: warm, anticipatory major synth chords and a mellow bassline. Suspenseful at first, excited, upbeat, groovy and fun with a slight element of danger. suitable for a serious action film scene that gains a sense of humour as the action progresses. Or a chase scene or advert of varying moods, with an ever-changing backdrop throughout.

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STFU

Bass-heavy R’n’B/trap instrumental track. Heavy bass synth underpins the track while siren-like synths cry out overhead over blobby and trap beats. Dark, edgy and confident, suitable for adverts or Film/TV scenes of stylish kids in the club, posing and chilling to this.

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Never Wanna Say

Synth pads and grooving hi-hat introduce a bold kick. Evolves by the book into an early house classic with 808 snares and claps. At 1:48 muted synth chords start stabbing the air, gradually building tension until dropping into a tight groove. Reminiscent of the music to “Good life” by Inner City, with better production. Retro, confident and driving. Vox version has a soulful male voice (Elliot Chapman).

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Day to Night

Lush pensive evolving synths introduce joined by a muted build up of kick, bold funky rhodes and synth bass arpeggios. The track teases you by rising and falling, not ever quite kicking in but building deliciously with percussion and synth pads, keeping you on tenderhooks thoughout. Dark, sultry and sophisticated dance music. Vox version has a soulful male voice (Elliot Chapman).

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Alone

Crisp summery house beats with tasteful conga and a bassline that is just falling over itself. Soft rhodes and tinkling percussion create a lush atmosphere, reminds me of a dreamy beach party in Ibiza. Alone – Blissfully dancing on your own maybe? As opposed to being alone and sad with no mates 🙂 Vox version has a soulful male voice (Elliot Chapman)

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Stronger

Filtered arpeggiated synth bass builds to a clear beat with piano. Joined by epic strings. Serious showcase, sounds like achieving something against the odds. Ad length.

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