Zero

Dark techno track. Throbbing beats, vocal samples and a wash of deep, heavy rumbling synths, underpin a high pitched synth hook, trap beats and an energetic build. In full swing with syncopated beats, synths and deep, playful vocal samples. Murky, menacing and brazen, strange Burial-style techno, perfect for a fashion film or edgy documentary.

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Naked Truth Instrumental (Rock Version)

All-out rock ‘n’ roll stomper. Full electric guitar, bass and drums pounding from the get-go. 90s-style guitar effects, grungy and rough around the edges, with an overall highly produced sound. Heavy and driven, determined and angry, perfect for a tense, nail-biting TV scene, as background music on a dramatic reality TV show, or if Jane’s Addiction soundtracked an advert for a frighteningly good burger.

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The 8th Day

Country rock jam. Slow strummed acoustic guitar chord intro with subtle snare drum. Full drums and fuzzy electric guitar kick in with a simple riff. Heavier chorus section with more of everything. Electric guitar solo shreds through the guitar later in the track. Brash and confident with a hint of plodding reflection. Perfect for a dramatic TV/Film scene or documentary following a slightly tortured character.

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Exhuberance

Euphoric electronic track. Big synths, glistening airy synths into bouncy synth melody with bassy beats and deep, sustained bass notes. Mid section with subtle vocal samples, cute synths like a malfunctioning robot. Whooshes back to the bouncy refrain. Happy, joyful and playful, a bit Calvin Harris, a heavy synth track with a warm, youthful sweetness, perfect for upbeat, triumphant TV adverts.

No Drums version available.

No Bass version available.

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Fuse

Gritty grunge rock. Light, scratchy electric guitar intro, followed by all out fuzzy effects-laden guitar chorus. Simple bass guitar and steady drums accompany a lighter break before the heavy chorus re-enters. Righteous, punchy and perfect for slow head-banging, like early Nirvana, 90s grunge to suit dark TV/Film, incendiary documentary scenes and reckless adverts.

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STFU

Bass-heavy R’n’B/trap instrumental track. Heavy bass synth underpins the track while siren-like synths cry out overhead over blobby and trap beats. Dark, edgy and confident, suitable for adverts or Film/TV scenes of stylish kids in the club, posing and chilling to this.

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Memories

Wistful orchestral string track. Sustained cello and double bass notes underpin a woozy violin melody, ascending, floating into space. Slowly shifting string harmonies are heavy and tranquil. Peaceful yet reflective and emotional, perfect for a thoughtful, nostalgic TV/Film/Doc scene, remembering the past then breaking away from it.

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High Roller Jack

Repetitive and hammering, with a smoky electric guitar riff built as a direct reminder of seventies almighty rock icons such as Jimi and Frank. From 1:30 onwards it gains some nineties elements, culminating in a hi gain solo a la Slash and Guns and Roses. It will suit strong rhythmical visual sequences, sexy clubs, and controversial advertisement.

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Medley: The Drink, The Sound, The Sea Elephas

Acoustic guitar medley of styles. Bright acoustic guitar, bobbing along with growing intensity and heavier chords. After 3 mins, new section, more improvisatory with hints of tension, ending on waves of strummed guitar. Hopeful, nostalgic and sincere, sounding like the movement of water, still then stormy, would suit a journey, personal or physical, in Documentary or Film/TV.

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Kidnap In Karachi Part 2

Mournful string track. Atmospheric noise, sad strings and heavy piano play a desolate melody. Unsettling, resonant background noise brings a threatening new dimension. Supernatural, doom-laden and bleak, funereal music for negative adverts or hopeless TV/Film scenes.

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