Come Through

Downbeat electronic RnB track. Warm piano chord progression, muted, syncopated beats, vocal samples and dreamy reverb build a sultry, expectant atmosphere. Trap beats and breathy Enya-like female vocals added. Warm, fat, nostalgic synths join with electric guitar flourishes cutting through the haze. Cool, clear synth like water droplets takes on the chord progression before a full ending. Romantic, nostalgic and hopeful, like if the Drive soundtrack was a bit more RnB. A subtly determined soundscape, perfect for pensive and decisive TV/Film/Doc moments, ultimately leaving the past behind.

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These Waters Remember Part 4

Tense acoustic guitar track. Acoustic guitar riff, repeated, building anticipation. Electric guitar line joins, building the texture. Electric guitar effects added, delay creates a chiming effect. Guitar layers added, creating a cacophonous, reverberating atmosphere. Wordless female vocals join, like a flamenco song or Portugese fado. Earthy, meditative and tense. Would suit a dramatic TV/Film moment, a female wailing, like Mother Nature herself crying out.

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These Waters Remember Part 1

Acoustic guitar track with female vocals. Slow intro of plucked, Spanish-style guitar with atmospheric reverb. Grows more fast-paced. Ethereal female vocals introduced at end. Sultry, mysterious and slightly melancholy, would suit a shot panning an arid landscape, or a strange romance on TV/Film, anticipation, lust and confusion in the desert.

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Quasar

Epic orchestral soundtrack. Cinematic soaring strings, choppy dynamic violins, triumphant horns and rumbling percussive flourishes. Quieter section features female wordless vocals, chugging percussion and strings before a busier horn and string section to finish. Proud, dignified and victorious, suited to a classic blockbuster action film or and advert for an epic computer game, or a bombastic event.

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Pressing Bruises

Happy piano build with vocals. Cute piano, keys, glockenspiel and hand clap intro. Anticipation builds with extra keyboards and piano chords. Female vocal ‘ooohs’ add a calming, dreamy quality. Excited, positive, relaxed and peaceful. Suitable for an advert full of anticipation that leads to a successful and calm resolution. Feels like a job well done: a beautifully painted room, a well-risen cake or a good night’s sleep.

Instrumental version available.

No Drums version available.

1 min and 30 sec ad length versions available.

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Blue Diamond

Lush guitar production in this warm happy and carefree track. Rounded electric guitar is joined by a choir of female ahh voices, piano and drums. Imagine a sunny wholesome day out in the park with your best friends. Perfect advert music.

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Sei Nu Mei

Moody, strong and beautiful, acoustic and electric guitar with strong echoing industrial rhythms and warm, glass-like sounds. Female “oo’s” wash in and out. Reminiscent of Bjork.

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The Club was Full of Girls in 1981

Seriously Seventies disco track, with funk guitar, bass, keys, brass section and vocals. Sleek, funky and retro, perfect for advert encapsulating that feeling before hitting the club, getting ready for a night out with your ladies or your boys.

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Move Your Feet

Quality disco with a laid back feel. Intro builds on a hi-hat drum riff with a funky bassline, joined by cool piano, jangling guitars. Cool, funky and earnest. Reminiscent of “We’re Lost in Music” by Sister Sledge.

Vocal version has words “move your feet, step up to the beat, got the urge to move your body”.

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SOS til Memphis (Instrumental)

Haunting pious and atmospheric beginning with echoing vocals developing into sparse electronic rhythm with synth and organic fx. Sophisticated, thoughtful and restrained EDM.

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