Zomorud

Instrumental fusion of Greek, Turkish and Irish folk musics. Unpredictable time signatures, non-Western scales and rolling melodic phrases played on Cretan lyra and Middle Eastern saz, joined by violin and subtle percussion. Murky and intricate, growing in speed and intensity throughout. Sombre yet determined, delivered with passionate vehemence, perfect music for a global documentary or Film/TV scene representing Turkish or Middle Eastern culture.

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La Peru

Peruvian instrumental with charango and cajón. Stringed, guitar-like charango plays a melancholy melodic hook, while a second charango provides intricate accompaniment. Gentle percussion from cajón gives a subtle rhythmic flavour while supporting the melody. Emotional, passionate yet quiet and restrained, reminiscent of Manu Chao, full of romantic anticipation to suit a sizzling onscreen lovers’ dance or for a travel documentary or advert with a Latin influence.

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Cumbus Long Neck

Improvisation on Turkish cumbus, stringed, oud-like instrument. Free-form improviation with runs, ornamentation, repetition and silent pauses, growing slightly faster and more intricate towards the end. Mysterious, intimate and sparse, Turkish and Middle Eastern sounds perfect for a documentary about the region or to accompany a vast, deserted landscape onscreen.

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Easy Morning

Uplifting acoustic guitar track. Delicate, chiming finger-picking acoustic guitar intro, joined by warm chords and intricate guitar parts. Mellow chordal section before broken guitar chords ring out again. Gentle, hopeful and bright, like a musical sunrise, perfect for positive, hopeful TV/Doc/Film scenes or adverts evoking a warm, nostalgic Americana.

Bed track is a lighter version with electric guitar chords low in the mix.

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Babette

Quick, violin-led jazz waltz. Violin leads with fast, intricate melody line soaring over a bed of laid-back jazz waltz rhythm on double bass, Spanish guitar and percussion. Spanish guitar takes a solo, over the soft, shuffle of acoustic guitar and percussion. Violin returns.Intriguing, mysterious and positive, European jazz for an advert traversing the cobbled streets of a French city in a new Renault, or for a bright-eyed, Woody Allen-style cinematic love letter to Europe.

Bed track has no violin or guitar solos, more prominent double bass.

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These Waters Remember Part 2

Intricate guitar instrumental. Plucked acoustic guitar lines interwoven. Electric guitar with some reverb and delay effects picks out a melody on top. Electric guitar grows more prominent, sounding like an instrumental Warpaint, while the acoustic lines grow stronger and more intricate. The interplay of guitar lines creates a chiming effect. Atmospheric, melancholy and enveloping, a melancholy, hypnotic sound world, perfect for tense TV/Film/Doc moments in unfamiliar environments.

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Tonight We Drink Wine and Dance

Melancholy solo piano. Amélie-style minor oom-pah chords, growing in intensity and embellishment throughout the track. Another line of piano plays a lyrical melody above the regular chords. An energetic chorus brings a modulation and intricate break. Back to opening chords for a finish. Emotional and wretched, yet passionate, would suit an advert or TV scene requiring Gallic charm and impulsive, reckless emotion.

‘Underscore’ version features chords only, no melody line.

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Postcard for Dominie

Melancholy solo piano. Haunting piano intro in an unsettling rhythm. Piano chords added, clashing and resolving. The sun comes out with the main motif repeated on a rolling wave of bass piano notes. More intricate melodies introduced , tumbling piano motif. Jazz piano soloing, more forceful, intense, emotional chords before a return to the haunting early motif played with added conviction. Searching, thoughtful and desolate, sounds like a message in a bottle bobbing over the seven seas, would suit a Film/TV/Doc journey, perfect music for a cross-country train journey as the landscape flashes by.

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