Uneasy tones, starting with radio static and joined by metallic morphing harmonies. Perfect backdrop for suspense and drama. Expansive and desolate.
Versions with acoustic guitar and minimal acoustic guitar
The sound of a half-forgotten carnival, for harmoniums, toy piano and strings. Slow, steady, expressive and sad. Dramatic and slightly unwell.
Toy pianos, xylophones and harmoniums evoke a mischievous dancing simian. Atonal elements make this a vaguely sinister piece. Something is going wrong in the toy world.
Frenetic electro pop, 8 bit madness with a fast skipping beat. Sounds a bit euro.
Comedy for toy instruments. Sounds like: A riot of toys dancing around the tree at Christmas.
Dark atmospheric piano elements with tambourine and other percussion. Grooving and dissonant, building with tense octave notes. Sounds like: Tom Waits’ soundtrack to Down By Law.
Fractured and bouncy electro pop. Begins with slow harpsichord then changes abruptly to glitchy topsy-turvy rhythms. Fun, bit-crushed and slightly trippy, imagine that bit in The Beach where Leonardo DiCaprio becomes a computer game.
Back room farmyard instrumental, acoustic instruments with a tender yet mischievous melody. Folky but genre-defying. An extension of the soundtrack to Withnail & I.
Delicate harmonies on strings, with later gentle percussion and theremin-like synthesiser.
Triplet-feel dramatic orchestral refrain, with soft voices and repeating phrases. This is hilarious and highly dramatic at the same time. Perfect for an episode of Bagpuss, if Bagpuss was trying to fly a biplane to the moon. Includes real violins, voices, kazoo, accordion, wooden percussion and a whole lot of interesting phrasing.