Fun and celebratory, a grand and colourful orchestration gives a sense of contagious energy. Magic is in the air, as the twisty dialogues between flute, oboe and brass remind us in the middle section. With a great impulse for discovery and adventure, it will suit both a Hollywood and Japanese cartoon style fast paced setting.
Catchy, cheesy and energetic, this mid-tempo track features a funky beat with clav, drums, and brass section. At 1:05 it features a quirky reverberated vibraphone. Tongue in cheek and in your face, it pays homage to Soul/RnB/Funk, ideal for something like Supermarket Sweep.
A compelling dialogue between a crunchy electric guitar and brass instruments, this tune successfully mixes mid-sixties elements with an energetic funky attitude. In the second part the brass section delivers a Ska punk aftertaste. Urge Overkill and sped-up Al Green make for a Tarantino-esque setting. Ideal for a title sequence, ad campaigns, TV shows.
Engaging and uplifting, this track combines elements of Latin world music with Spanish Flamenco. It features a slick dialogue between two acoustic guitars, drums with percussions and two chorus-like episodes at 0:55 an d 1:22. Paco De Lucia and Pat Metheny shake hands. Ideal for a documentary title sequence, film promos, travel scenes, and ad campaigns.
Funky, energetic tune featuring a driving bass guitar, retro drum groove, smoking Hammond organs, and a punchy brass section. There are two harmonic shifts at 1:00 and 2:10. An instrumental James Brown playing with Earth Wind & Fire.
Unexpected and relentless, with ostinato strings patterns and temperamental tempo changes that create a moody and fast paced sixties-like classical orchestration. Ideal for retro thrillers along the lines of Psycho and Vertigo.
Electronic track with samples and dark bassy beats. Fades in with electronic repeated riff and synth electric guitar sounds. Sustained synths and trap beats underpin the broad synth sound. High pitched sustained synth introduced. Fades in and out sporadically. Punchy, brash, moving with a strut, laid back but in your face, would suit an urban advert or background music for a youth culture documentary.
Fun brass and guitar romp. Drums and energetically strummed acoustic guitar intro with piano chords. Brass enters, playing a punchy, upbeat repeated phrase. Track builds, instruments doubled to an abrupt, triumphant finish. Fun, happy, energetic and celebratory, would suit a fun TV montage, our characters plotting a hilarious surprise, or the Bananas in Pyjamas planning a secret birthday party. Also suitable for feel-good family summer adverts.
No Drums, No Brass versions available.
No Brass version available.
30 sec ad length version available.
Stem tracks available on request.
Synth pads and grooving hi-hat introduce a bold kick. Evolves by the book into an early house classic with 808 snares and claps. At 1:48 muted synth chords start stabbing the air, gradually building tension until dropping into a tight groove. Reminiscent of the music to “Good life” by Inner City, with better production. Retro, confident and driving. Vox version has a soulful male voice (Elliot Chapman).
Quirky instrumental. Dramatic opening, sustained keys and brass, sounds like the electronic rainbow blasts of Animal Collective. Gives way to a meandering jazz saxophone joined by a brass blast then an unexpected quirky percussive section with piano and a big build, all instruments in, like the finale of a stadium rock concert. Sparse breathy saxophone section before another epic blast of noise. Solo sax then all instruments in, strings, drums, percussion, vocals and brass with drum crashes and wallops before a peaceful end. Bombastic and epic with slow, thoughtful sections, a fun mix of styles and moods, would suit a silly Film/TV scene humorous advert for a bonkers product.