Christmas Eve & Funky Christmas

Oh god the xmassy feels! It’s that time of year again, but it’s flaming APRIL I hear you say, well here in Lapland its Christmas ALL the time. I’m a happy little elf! So… full.. of happiness… (head explodes).

Two ad shorts for Christmas product placement, one classical and fairytale, the other more contemporary. Both will make you spew glitter and rainbows.

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The Club was Full of Girls in 1981

Seriously Seventies disco track, with funk guitar, bass, keys, brass section and vocals. Sleek, funky and retro, perfect for advert encapsulating that feeling before hitting the club, getting ready for a night out with your ladies or your boys.

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Move Your Feet

Quality disco with a laid back feel. Intro builds on a hi-hat drum riff with a funky bassline, joined by cool piano, jangling guitars. Cool, funky and earnest. Reminiscent of “We’re Lost in Music” by Sister Sledge.

Vocal version has words “move your feet, step up to the beat, got the urge to move your body”.

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Frisco Disco

High energy disco with a club feel. Intro builds in timbre crashing into sophisticated high energy disco arrangement with funky bass, bongos, string riffs, piano and the occasional sexy voice saying “yes”.

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Disco Olympics

High energy disco with a club feel. String intro crashes into full on celebration with party sounds, leading to sophisticated disco arrangement with pokey synth and guitar stabs. Reminiscent of “Relight My Fire” by Take That and the one and only Lulu.

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Monkey Dance

Toy pianos, xylophones and harmoniums evoke a mischievous dancing simian. Atonal elements make this a vaguely sinister piece. Something is going wrong in the toy world.

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Medicine Goes Down

Frenetic electro pop, 8 bit madness with a fast skipping beat. Sounds a bit euro.

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March for a One Armed Nutcracker

Comedy for toy instruments. Sounds like: A riot of toys dancing around the tree at Christmas.

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Making Jack a Dull Boy

Dark atmospheric piano elements with tambourine and other percussion. Grooving and dissonant, building with tense octave notes. Sounds like: Tom Waits’ soundtrack to Down By Law.

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Luzhin

Fractured and bouncy electro pop. Begins with slow harpsichord then changes abruptly to glitchy topsy-turvy rhythms. Fun, bit-crushed and slightly trippy, imagine that bit in The Beach where Leonardo DiCaprio becomes a computer game.

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