Hell Flames

Disturbed and suspenseful, with piano solo as lead instrument and a symphonic orchestra that deliver unsettling flashes of dark energy. It follows an A-B-A structure, with a huge spike – both in sound and emotional impact – in the middle section. Great for horrors, thrillers and supernatural themes.

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Dragons Combat

Screaming action and energy right from the start, a relentless staccato strings section melts with intense timpani and percussions to create a dramatic and menacing on the run effect. A fully charged orchestra breaks at 2:00 and rests a bit, before the final crescendo raises the tension again. This will fit beautifully actions sequences, fantasy worlds, climatic endings.

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Haunted Night

Mystical and epic, 100% orchestral, with an ostinato rhythm made of powerful strings and screaming brass. It gets angelic as a choir takes the lead in the middle section, before resuming its angry, percussive, and aggressive attitude. Scenes where dramatic action with a magical flavour is needed will benefit greatly from this.

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Tears from the Moon

Dark and emotional, vivid orchestral strings and introspective electronic drums establish a steady progression where the psychological stakes are high. A violin breaks the tension with a positive opening at 1:00. Piano inserts help to resume in intensity and move to a somewhat grand finale, with harp, flute and violin. Will suite sad and melancholic yet decision-driven sequences, where an action must be taken soon to solve the situation.

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Green Landscape

Calm but decisive, a celebration of orchestral softness with enticing brushes of harp and piano, and mellow balzato strings. It releases its rhythmical structure at 1:50 and then builds again to accommodate a compelling coda with full orchestral power. On the epic side, leaning to Hollywood style romance stories, travelling documentaries and resolution sequences.

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Reminiscences

With troubled chords and unsettling textures, a full orchestra is summoned to establish a mysterious and hypnotic sense of longing. First violins deliver the main theme at 0:38, leading to an emotional opening in the middle section. Heavy percussions add layers of dramatic intensity for a compelling final crescendo. Suitable for dramas, introspective yet disturbing scenes a la Roque Banos’ The Machinist soundtrack.

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Clouds Party

Fun and celebratory, a grand and colourful orchestration gives a sense of contagious energy. Magic is in the air, as the twisty dialogues between flute, oboe and brass remind us in the middle section. With a great impulse for discovery and adventure, it will suit both a Hollywood and Japanese cartoon style fast paced setting.

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Sunrise

Melancholic and sweet, with a sense of yearning and heavy use of exotic interpolation of chords and melodies. Powerful as a big orchestra can be, it gains momentum at 1:20, always keeping the stakes high as a complicated love story would be. Will suit exotic and big Hollywood love stories, with ultimate love as overarching theme. The English Patient, Out of Africa, and even Indiana Jones are welcome here.

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Bond on the Moon

Epic bondy stuff, with a slice of implicit darkness. A spy-themed track that takes the listener from a mysterious electronic intro to a fully orchestral instalment. It rests at 1:30 and then resumes to deliver a grand finale. Be warned, James Bond’s got a dark side.

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Blossom Fade

Intimate and inspirational, with compelling piano punctuated with high frequencies. It starts with a slightly melancholic accent, and then builds into hopeful and uplifting regions, helped by dreamy orchestral strings and percussive elements. This would have been perfect for Spirited Away

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