High energy disco with a club feel. Intro builds in timbre crashing into sophisticated high energy disco arrangement with funky bass, bongos, string riffs, piano and the occasional sexy voice saying “yes”.
High energy disco with a club feel. String intro crashes into full on celebration with party sounds, leading to sophisticated disco arrangement with pokey synth and guitar stabs. Reminiscent of “Relight My Fire” by Take That and the one and only Lulu.
Frenetic electro pop, 8 bit madness with a fast skipping beat. Sounds a bit euro.
Comedy for toy instruments. Sounds like: A riot of toys dancing around the tree at Christmas.
Fractured and bouncy electro pop. Begins with slow harpsichord then changes abruptly to glitchy topsy-turvy rhythms. Fun, bit-crushed and slightly trippy, imagine that bit in The Beach where Leonardo DiCaprio becomes a computer game.
Back room farmyard instrumental, acoustic instruments with a tender yet mischievous melody. Folky but genre-defying. An extension of the soundtrack to Withnail & I.
Comic high-drama, toybox symphony. An epiphanic moment. Bagpuss and co. get back home after stopping an asteroid colliding with the earth. Or something. Mega-silly symphony of kazoo, voice and accordion.
Triplet-feel dramatic orchestral refrain, with soft voices and repeating phrases. This is hilarious and highly dramatic at the same time. Perfect for an episode of Bagpuss, if Bagpuss was trying to fly a biplane to the moon. Includes real violins, voices, kazoo, accordion, wooden percussion and a whole lot of interesting phrasing.
A suite of tracks all reminiscent of a weird but funny circus.
Uncomfortable reggae-funk, with what sounds like electronic braying donkeys in the background (melodica). A quizzical brooding atmosphere with heavy beats. Imagine a slightly dysfunctional circus-like “Your Woman” by White Town.