The Happy and the Sad

Sweet, light and innocent plucked strings are joined by synth bass and kalimba. Happy and wistful.

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Sarah’s Ambience

Uneasy tones, starting with radio static and joined by metallic morphing harmonies. Perfect backdrop for suspense and drama. Expansive and desolate.

Versions with acoustic guitar and minimal acoustic guitar

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Illusions

Delicate, soft harmonies from vintage synthesisers and glockenspiels. Dreamy atmosphere, inspiration from a melody by Edvard Grieg. Mysterious fantasy, sounds like something from Zelda.

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Dance With a Ball of Emperor Rudolf II

Neo-classical patterns for acoustic instruments. Atonal and jazzy, feeling off kilter, drunk, confused but happy.

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To Jorn

Sparse piano and birdsong build into a warm positive atmosphere with added synth pads. Feelings of wellbeing, relaxation and peace, gradually crescendoing to finish.

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SOS til Memphis (Instrumental)

Haunting pious and atmospheric beginning with echoing vocals developing into sparse electronic rhythm with synth and organic fx. Sophisticated, thoughtful and restrained EDM.

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Exodus

Heartbeat like trepidation, leads to gentle electronic buildup in expectancy. Chilled and slowly rousing, punctuated with bursts of electric guitar. Hiding from The Terminator meets 80’s stakeout.

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Hope She Dreams

Hopeful lingering piano descends into echoing ambient textures with strings, ending with stronger piano with more resolve. Simple version is less dreamlike and just piano and strings.

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Crossing the Line

Low tense piano with eerie string effects creates an air of hushed expectancy, leading to a section hesitant movement, held breath and finally warm deep achievement, with hesitant but strong orchestral strings. Beautiful, majestic and yearning. Slow.

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Silhouettes – Florida Room

Full band, indie rock – clockwork beginning to relaxed verse, still chorus, gaining momentum and pace into held harmonious bridge and a measured ending. Medium – medium fast

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