Fear

Happy intro with solo violin riffs and evolving arpeggios, quickly form a firm driving groove with a strong roving bass line. Mood is neutral but chilled, then after a few breakdowns at 3:07 it reduces to a stomping 4-to-the-floor cut down beat before the rest of the elements crash back in. I could personally listen to that reduced beat all day – awesome production throughout. Understated, refined and sophisticated. Vox version has a soulful male voice (Elliot Chapman).

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      Fear-JPM

Oubliette (Suite)

Gentle pensive piano track. Slow repeated piano motif, extra piano line added and subtly building orchestral strings. Thoughtful and reflective, sad yet hopeful, would suit an advert for insurance or healthcare, hope of a bright future in the face of today’s sadness and loss.

Piano Only version available.

1 min and 30 secs ad length versions available.

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That’s for Eating With

Quirky instrumental. Dramatic opening, sustained keys and brass, sounds like the electronic rainbow blasts of Animal Collective. Gives way to a meandering jazz saxophone joined by a brass blast then an unexpected quirky percussive section with piano and a big build, all instruments in, like the finale of a stadium rock concert. Sparse breathy saxophone section before another epic blast of noise. Solo sax then all instruments in, strings, drums, percussion, vocals and brass with drum crashes and wallops before a peaceful end. Bombastic and epic with slow, thoughtful sections, a fun mix of styles and moods, would suit a silly Film/TV scene humorous advert for a bonkers product.

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Visiting Laila

Solo piano. Jazz chords straight out of a classic movie scene set in a smoky cavernous jazz club. Slow chordal movement at first, sweet and lyrical, moves to a confused romantic motif with some dissonance, chords grow in volume and intensity, a declaration of love. Back to the introductory chords, more relaxed now with hints of unsettling dissonance. Romantic, confused and reckless, a love letter to early jazz, on Film/TV, would suit a La La Land style, modern interpretation of heady jazz-age love.

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Breathe

Ambient, minimal piano, slightly stilted, is joined by gentle but clear acoustic guitar, creating feelings of tension and release. Builds with light percussion and minimal kick drum to a tense crescendo. Relief in the second half, with an open and “breathable” ending. Serious but also hopeful, and ultimately serene.

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Yepsen

Atmospheric, urgent piano track with added emotive string parts. Driving, dynamic and moving, perfect for humanitarian campaign videos and promotional material.

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Saisis par le Soleil

Glassy tones with bright guitar arpeggios and gentle glockenspiel. Delicate timbre with emphasis on glittering fantasy. holds back and quickens to 2:51 where strummed guitar introduces a more urgent section with horns and building layers of harmony. At 4:58 there is a held breakdown where everything is still, like holding your breath, then glock and guitar build almost imperceptibly to a strummed final section with added percussion. A beautiful, sublime track.

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Pile Dans les tCnabres

Bright guitar strumming joined by upright bass and glockenspiel. Develops with fluttering arpeggios and more active glockenspiel lines, breaking down at 2:08 to a more pensive section with long cello notes and stately horns. Builds slowly in harmony, dynamic and layers to a controlled ending. Warm, delicate, complex and beautiful.

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La Paix

Percussive guitar and staccato glockenspiel accompanied by horns. Builds with syncopated percussion. Thoughtful, awake and intelligent with soft emotions. Sweet and brightly nostalgic.

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Ex Tempate

Soft emotive classical guitar is joined by soft glockenspiel, and low cello. Neutral, sweet and passive at first but gets more intense by degrees til it ends full of longing. Feels like unrequited love.

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