Soft bell-like marimba / glockenspiel is joined by emotive classical guitar, percussion and bass. Beautiful, rich, organic and hopeful. Quietly inspiring with glimpses of sadness and a strong happy end.
Moody, strong and beautiful, acoustic and electric guitar with strong echoing industrial rhythms and warm, glass-like sounds. Female “oo’s” wash in and out. Reminiscent of Bjork.
Dramatic anticipatory undertones, rich synth landscapes. Uneasy and dark. Excellent for underscore in tv / documentary dramas.
Uneasy tones, starting with radio static and joined by metallic morphing harmonies. Perfect backdrop for suspense and drama. Expansive and desolate.
Versions with acoustic guitar and minimal acoustic guitar
The sound of a half-forgotten carnival, for harmoniums, toy piano and strings. Slow, steady, expressive and sad. Dramatic and slightly unwell.
Dark atmospheric piano elements with tambourine and other percussion. Grooving and dissonant, building with tense octave notes. Sounds like: Tom Waits’ soundtrack to Down By Law.
Back room farmyard instrumental, acoustic instruments with a tender yet mischievous melody. Folky but genre-defying. An extension of the soundtrack to Withnail & I.
Delicate harmonies on strings, with later gentle percussion and theremin-like synthesiser.
Delicate, soft harmonies from vintage synthesisers and glockenspiels. Dreamy atmosphere, inspiration from a melody by Edvard Grieg. Mysterious fantasy, sounds like something from Zelda.
Melodicas, Mandolin, strings, whistling and – get this – dog-like Inuit singing combine to create a rhythmic, snowy landscape atmosphere. Melancholy, otherworldly and humorous.