Never Wanna Say

Synth pads and grooving hi-hat introduce a bold kick. Evolves by the book into an early house classic with 808 snares and claps. At 1:48 muted synth chords start stabbing the air, gradually building tension until dropping into a tight groove. Reminiscent of the music to “Good life” by Inner City, with better production. Retro, confident and driving. Vox version has a soulful male voice (Elliot Chapman).

      Never_Wanna_Say_Instrumental-JPM
      Never_Wanna_Say-JPM

Fear

Happy intro with solo violin riffs and evolving arpeggios, quickly form a firm driving groove with a strong roving bass line. Mood is neutral but chilled, then after a few breakdowns at 3:07 it reduces to a stomping 4-to-the-floor cut down beat before the rest of the elements crash back in. I could personally listen to that reduced beat all day – awesome production throughout. Understated, refined and sophisticated. Vox version has a soulful male voice (Elliot Chapman).

      Fear_Instrumental-JPM
      Fear-JPM

Day to Night

Lush pensive evolving synths introduce joined by a muted build up of kick, bold funky rhodes and synth bass arpeggios. The track teases you by rising and falling, not ever quite kicking in but building deliciously with percussion and synth pads, keeping you on tenderhooks thoughout. Dark, sultry and sophisticated dance music. Vox version has a soulful male voice (Elliot Chapman).

      Day_To_Night_Instrumental-JPM
      Day_To_Night-JPM

Alone

Crisp summery house beats with tasteful conga and a bassline that is just falling over itself. Soft rhodes and tinkling percussion create a lush atmosphere, reminds me of a dreamy beach party in Ibiza. Alone – Blissfully dancing on your own maybe? As opposed to being alone and sad with no mates 🙂 Vox version has a soulful male voice (Elliot Chapman)

      Alone_Instrumental-JPM
      Alone-JPM

That’s for Eating With

Quirky instrumental. Dramatic opening, sustained keys and brass, sounds like the electronic rainbow blasts of Animal Collective. Gives way to a meandering jazz saxophone joined by a brass blast then an unexpected quirky percussive section with piano and a big build, all instruments in, like the finale of a stadium rock concert. Sparse breathy saxophone section before another epic blast of noise. Solo sax then all instruments in, strings, drums, percussion, vocals and brass with drum crashes and wallops before a peaceful end. Bombastic and epic with slow, thoughtful sections, a fun mix of styles and moods, would suit a silly Film/TV scene humorous advert for a bonkers product.

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Yepsen

Atmospheric, urgent piano track with added emotive string parts. Driving, dynamic and moving, perfect for humanitarian campaign videos and promotional material.

      Yepsen-JPM

Puncture

Confident rock drums are joined by a growling bassline reminiscent of early artist “Peaches”. Groove continues with shrill synth string interjections and ends tidily. Straight to the point and no nonsense.

      Puncture

Making Your Point

Medium-fast synthpop with vocal ahhs and oohs. Strong beats and violently happy, makes you want to run free and fast. Young, fiercely proud, pulse quickening and driven. Reminiscent of MGMT’s “Kids” but harder and faster.

      Making_Your_Point-JPM

Les Maîtres du Monde

Surging blistering trance, uplifting, intricate and ecstasy inducing.

      Les_Maitres_du_Monde-JPM

Lounging House (Suite)

I’m imagining a rich boutique, a decadent tropical showcase, a sumptuous playground for the rich and opulent. You’re not coming in here mate, them shoes is casual. Laid back beats, rich textures, a chilled mood.

      Dreamy_Dance_Main_Mix-JPM
      Dreamy_Dance_60s_Mix-JPM
      Rippin_George_B-JPM
      Rippin_George_B-JPM
      Drivin_By_Riviera-JPM