Medium-fast synthpop with vocal ahhs and oohs. Strong beats and violently happy, makes you want to run free and fast. Young, fiercely proud, pulse quickening and driven. Reminiscent of MGMT’s “Kids” but harder and faster.
Pensive slow electronica. Clear and crisp with strong programmed drums. Strong chorus with chimes and blaring brass. Would suit a demo vid of some sort of brilliant new cool technology. 2:56 brass breakdown to final chorus. Fiercely proud with more than a hint of cool strength.
Beautiful glockenspiel sequences with glassy synth in background. Joined by plucked classical guitar – very anticipatory. Stays on a soft dreamy tip until 2:30, where it breaks down with quick percussive glockenspiel. Finally breaks into a light beat at 3:53 with harmonising arpeggios, then builds slightly with synth pads. Simple guitar arpeggio outro.
Surging blistering trance, uplifting, intricate and ecstasy inducing.
I’m imagining a rich boutique, a decadent tropical showcase, a sumptuous playground for the rich and opulent. You’re not coming in here mate, them shoes is casual. Laid back beats, rich textures, a chilled mood.
Dramatic anticipatory undertones, rich synth landscapes. Uneasy and dark. Excellent for underscore in tv / documentary dramas.
Oh god the xmassy feels! It’s that time of year again, but it’s flaming APRIL I hear you say, well here in Lapland its Christmas ALL the time. I’m a happy little elf! So… full.. of happiness… (head explodes).
Two ad shorts for Christmas product placement, one classical and fairytale, the other more contemporary. Both will make you spew glitter and rainbows.
High energy disco with a club feel. String intro crashes into full on celebration with party sounds, leading to sophisticated disco arrangement with pokey synth and guitar stabs. Reminiscent of “Relight My Fire” by Take That and the one and only Lulu.
Frenetic electro pop, 8 bit madness with a fast skipping beat. Sounds a bit euro.
Fractured and bouncy electro pop. Begins with slow harpsichord then changes abruptly to glitchy topsy-turvy rhythms. Fun, bit-crushed and slightly trippy, imagine that bit in The Beach where Leonardo DiCaprio becomes a computer game.