Distant Lands

Contemplative and poignant, featuring an ethereal yet moving piano solo figure complemented in the last section by a mellow strings section. Ideal for emotional advertising, romantic movie scenes, and end title sequences.

      Distant_Lands-JPM

Dreamspace, Shared (Suite)

Evocative and hypnotic, featuring mildly dissonant textures beautifully orchestrated for strings. Enigmatic and reflective, charged and dynamic delivering an evolving range of emotions and classical string textures.

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Hill

Dreamy and ethereal music with a heavenly and transcendent new age feel. Evocative and hypnotic, it evolves toward a positive resolution (3:20), while keeping its instrumentation consistent. Brain Eno meets Blade Runner, this is ideal for nature, science, space documentaries and whatnot.

      Hill-JPM

5thy

Reflective and mellow track featuring a bell-like synth. At 0:48 a Trip hop beat makes its way in and marks a shift in intensity. Morcheeba and Groove Armada alike, this piece is perfect for chilled, peaceful settings, possibly offering a certain degree of anticipation.

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Raggy Piano

Sparse tragic solo piano, desolate, empty, sad and grief stricken, with a hint of the Middle East. If you were going to have a soundtrack to the devastation and carnage left behind by war, this would be it.

      Raggy_Piano-JPM

Two

Relaxed rhodes piano with scatterings of upright bass, this is lounge jazz at its loungiest. Bordering on cheese but never quite getting there, feels like slightly kitsch splendour, glossy wonder, plastic fantastic, dripping with minimal sophistication. “Is that a cocktail shaker in your pocket or are you just happy to see me?”. Perfect for opulent scenes.

      B05_Two-JPM

Never Wanna Say

Synth pads and grooving hi-hat introduce a bold kick. Evolves by the book into an early house classic with 808 snares and claps. At 1:48 muted synth chords start stabbing the air, gradually building tension until dropping into a tight groove. Reminiscent of the music to “Good life” by Inner City, with better production. Retro, confident and driving. Vox version has a soulful male voice (Elliot Chapman).

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      Never_Wanna_Say-JPM

Breathe

Ambient, minimal piano, slightly stilted, is joined by gentle but clear acoustic guitar, creating feelings of tension and release. Builds with light percussion and minimal kick drum to a tense crescendo. Relief in the second half, with an open and “breathable” ending. Serious but also hopeful, and ultimately serene.

      Breathe_Mastered-JPM

Uncoupled

Round bouncy synth in an arpeggiated monotone start, joined by organ and cheerful high synth. Building lightly with tiny cymbal strikes, then breaks down into a small organ section. Final section builds to a full beat but still has that gentle laid back feeling to it. Warm, gentle and reassuring.

      Uncoupled-JPM

Sarah’s Ambience

Uneasy tones, starting with radio static and joined by metallic morphing harmonies. Perfect backdrop for suspense and drama. Expansive and desolate.

Versions with acoustic guitar and minimal acoustic guitar

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      Sarahs_Ambience_Guitar-JPM
      Sarahs_Ambience_lessGuitar