Sad But Hopeful

Emotional piano-led track. Sparse piano intro, joined by melancholy orchestral strings. String swell, subtle drums and a rhythmic piano motif, growing in confidence and strength. Slowly building, dialogue between strings and piano. Effects-laden piano gives a cold electronic edge. Reflective, yearning and questioning, would suit a TV/Doc sequence of high emotional intensity or a pensive moment on film.

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GOSH – Struggle & Hope (suite)

Simple acoustic guitar picking is joined by bells and pulsing strings, developing into a charged track with feelings of darkness, struggle and glints of hope. Different sections bring in instruments like harp and xylophone for a short period of light relief, then the track races to its end with dramatic string crescendo.

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Fast Life

Electronic track with samples and dark bassy beats. Fades in with electronic repeated riff and synth electric guitar sounds. Sustained synths and trap beats underpin the broad synth sound. High pitched sustained synth introduced. Fades in and out sporadically. Punchy, brash, moving with a strut, laid back but in your face, would suit an urban advert or background music for a youth culture documentary.

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Medley: The Drink, The Sound, The Sea Elephas

Acoustic guitar medley of styles. Bright acoustic guitar, bobbing along with growing intensity and heavier chords. After 3 mins, new section, more improvisatory with hints of tension, ending on waves of strummed guitar. Hopeful, nostalgic and sincere, sounding like the movement of water, still then stormy, would suit a journey, personal or physical, in Documentary or Film/TV.

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Piñata (Suite)

Fun brass and guitar romp. Drums and energetically strummed acoustic guitar intro with piano chords. Brass enters, playing a punchy, upbeat repeated phrase. Track builds, instruments doubled to an abrupt, triumphant finish. Fun, happy, energetic and celebratory, would suit a fun TV montage, our characters plotting a hilarious surprise, or the Bananas in Pyjamas planning a secret birthday party. Also suitable for feel-good family summer adverts.

No Drums, No Brass versions available.

No Brass version available.

30 sec ad length version available.

Stem tracks available on request.

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Day to Night

Lush pensive evolving synths introduce joined by a muted build up of kick, bold funky rhodes and synth bass arpeggios. The track teases you by rising and falling, not ever quite kicking in but building deliciously with percussion and synth pads, keeping you on tenderhooks thoughout. Dark, sultry and sophisticated dance music. Vox version has a soulful male voice (Elliot Chapman).

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That’s for Eating With

Quirky instrumental. Dramatic opening, sustained keys and brass, sounds like the electronic rainbow blasts of Animal Collective. Gives way to a meandering jazz saxophone joined by a brass blast then an unexpected quirky percussive section with piano and a big build, all instruments in, like the finale of a stadium rock concert. Sparse breathy saxophone section before another epic blast of noise. Solo sax then all instruments in, strings, drums, percussion, vocals and brass with drum crashes and wallops before a peaceful end. Bombastic and epic with slow, thoughtful sections, a fun mix of styles and moods, would suit a silly Film/TV scene humorous advert for a bonkers product.

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Visiting Laila

Solo piano. Jazz chords straight out of a classic movie scene set in a smoky cavernous jazz club. Slow chordal movement at first, sweet and lyrical, moves to a confused romantic motif with some dissonance, chords grow in volume and intensity, a declaration of love. Back to the introductory chords, more relaxed now with hints of unsettling dissonance. Romantic, confused and reckless, a love letter to early jazz, on Film/TV, would suit a La La Land style, modern interpretation of heady jazz-age love.

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Stronger

Filtered arpeggiated synth bass builds to a clear beat with piano. Joined by epic strings. Serious showcase, sounds like achieving something against the odds. Ad length.

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Puncture

Confident rock drums are joined by a growling bassline reminiscent of early artist “Peaches”. Groove continues with shrill synth string interjections and ends tidily. Straight to the point and no nonsense.

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