The glass lake

Somber and ethereal, with a piercing violin, a mellow vibraphone, and a classical piano that dialogue in a very physical and earthy performance in the vein of mid 1800s classical sonatas. Structured in 4 parts, the violin acts as a connector between all the sections and bridges firstly the vibraphone and then the piano, before returning solo for the coda. High quality execution that will fit dramas with a sense of sadness and longing with a seethed edge.

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Girl from Sandymount beach

Delicate and touching, with a gentle piano performance and an acoustic guitar that make for a tender impression in the vein of melancholic comedies but also period dramas. An acoustic guitar introduces us to the theme in the first 20 seconds, creating the space in the middle part for a grand piano to complement the scene. Towards the end of the piece the latter is protagonist and uses both hands to fulfil the arrangement.

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No Sun, No Stars

Delicate and light, no frills piano solo theme that falls into romantic and emotional domains. It changes to a mildly more playful accent in the middle sections, but overall keeping an overarching melancholic feeling. Performed with a truthful and honest human touch.

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