Violin-led country-folk instrumental. Folky violin melody with occasional harmonies soars over wistful slide guitar, gentle electric guitar, double bass and steady drums. Warm, fuzzy and sentimental, perfect for a slightly cheesy, Waltons-style, wholesome American TV show or nostalgic advert.
Pink Panther-esque jazz instrumental. Double Bass jazz motif tip-toes across the track, joined by clipped hand drums, Rhodes piano keyboard sound and sound effects. Mysterious, playful and suspenseful, perfect for an onscreen intrigue or a pastiche of retro whodunnits.
13 sec version available.
African jazz instrumental. Snaking double bass intro, joined by jazz drums, vibraphone, electric guitar and keyboard playing a rhythmic motif. Change of rhythm, horn blasts then saxophone melody, subtle African-jazz style, effects-heavy electric guitar solo, brass noise before vibraphone motif returns and all play until the finish. Intriguing, exotic and sensual, with hints of Mulatu Astatke and a little Fela Kuti influence, would suit a travel documentary or Film/TV scene evoking the spirit of a hot night in urban 1970s Africa.
Solo piano. Jazz chords straight out of a classic movie scene set in a smoky cavernous jazz club. Slow chordal movement at first, sweet and lyrical, moves to a confused romantic motif with some dissonance, chords grow in volume and intensity, a declaration of love. Back to the introductory chords, more relaxed now with hints of unsettling dissonance. Romantic, confused and reckless, a love letter to early jazz, on Film/TV, would suit a La La Land style, modern interpretation of heady jazz-age love.
Round bouncy synth in an arpeggiated monotone start, joined by organ and cheerful high synth. Building lightly with tiny cymbal strikes, then breaks down into a small organ section. Final section builds to a full beat but still has that gentle laid back feeling to it. Warm, gentle and reassuring.
Moody, strong and beautiful, acoustic and electric guitar with strong echoing industrial rhythms and warm, glass-like sounds. Female “oo’s” wash in and out. Reminiscent of Bjork.
Flea Circus is a drunken comic waltz, with high cartoon singing and cracking whips. I’m including this as the entire website’s most ludicrously specific track. If someone uses this, it can only be for a scene with a circus of very small creatures singing drunkenly together. With whips.
Then (in Ice Cream Man) they all go off and get ice creams in opera mode. Of course.
Neo-classical patterns for acoustic instruments. Atonal and jazzy, feeling off kilter, drunk, confused but happy.
Miniature for harpsichord, after melodies by Mozart.
Metal xylophones, evocative of memories and times gone by, with (later) hip-hop-esque percussion patterns.