Soft emotive classical guitar is joined by sad cello, soft glockenspiel, bass and melodica. Crescendo’s to a melancholy finish on solo classical guitar. Sad, magical, sensory, with a sense of loss and grieving.
Dramatic anticipatory undertones, rich synth landscapes. Uneasy and dark. Excellent for underscore in tv / documentary dramas.
Uneasy tones, starting with radio static and joined by metallic morphing harmonies. Perfect backdrop for suspense and drama. Expansive and desolate.
Versions with acoustic guitar and minimal acoustic guitar
Delicate, soft harmonies from vintage synthesisers and glockenspiels. Dreamy atmosphere, inspiration from a melody by Edvard Grieg. Mysterious fantasy, sounds like something from Zelda.
Flea Circus is a drunken comic waltz, with high cartoon singing and cracking whips. I’m including this as the entire website’s most ludicrously specific track. If someone uses this, it can only be for a scene with a circus of very small creatures singing drunkenly together. With whips.
Then (in Ice Cream Man) they all go off and get ice creams in opera mode. Of course.
Music for a synthesised, circus party. Rhythmic, upbeat orchestral. Chaotic and crazy.
Melodicas, Mandolin, strings, whistling and – get this – dog-like Inuit singing combine to create a rhythmic, snowy landscape atmosphere. Melancholy, otherworldly and humorous.
Sparse synth pad beginning gradually becomes gently rousing with heartbeat-like kick drums, choirs and synth.
Sparse piano and birdsong build into a warm positive atmosphere with added synth pads. Feelings of wellbeing, relaxation and peace, gradually crescendoing to finish.
Pensive electronic buildup with staccato electric guitar and piano. Atmospheric, with light trance riffs, high fluting synths and delicate electric guitar arpeggios.