Subtle, ambient intro of sparse percussion and synth melody, foreboding and dark, building to a harder sound with pizzicato orchestral strings and 90s trip hop beats. Slightly glamourous, exotic and classy, like a modern James Bond film, perfect for an action/thriller or exciting, potentially dangerous TV scene.
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Uncut (Suite)
Slow, foreboding piano track with orchestral strings, percussion and electronic beats. Tense, dark and foreboding, like a wintry evening, driving in the countryside. Grown in intensity as more electronic beats are added. Brooding piano throughout, perfect for an atmospheric TV/Film scene with a hint of hope.
Interludes feature piano only.
Intro and Outros feature piano and electronic beats.
Voices of the Night
Unsettling electronic track. Random beats and electronic sound effects build a rhythmic base, unusual sound sources used to create percussive, sensory music. Bird sounds and male vocal samples introduced, like a call to prayer over glitchy beats. Strange, unexpected and off-kilter, experimental electronics to suit a curious, Vice-style documentary or quirky advert.
Theme Ambient 71
Slow-moving electronic track. White noise, ambient drones and high-pitched tones create an immersive sound world. Percussive, rhythmic electronics take over, punctuating a soft synth wash. Mysterious, enveloping and atmospheric, hopeful electronic background music, perfect for downbeat or low-key Documentary/Film/TV scenes.
Expedition Whisky
Orchestral track with electronics. Woodwind intro with foreboding string section. Tinkling bells followed by dynamic, suspenseful woodwind, building timpani, plodding and threatening. Electronic section, synth and faraway beats, accompanied by incongruous woodwind and tense orchestral strings. Strange, intriguing and scattered, a mystery journey through a dark and confusing forest straight out of Alice’s Adventures in Wonderland. Fun and freaky, for unusual advert or quirky onscreen moments.
Dream Sequence Soft 2
Atmospheric electronics. Whooshing sounds, swooping waves of ambient noise, doppler effect panning. Spooky, threatening and dark, like creatures flitting about under the cover of darkness, suitable as unsettling background music for TV/Film/Doc scenes about strange, otherworldly subjects.
Trix
Delicate electronics, sustained synth, magical atmospheric sound effects and reverb-laden electric guitar. Female vocal melody, sparse, heartfelt and breathy. Senusual and romantic with hip hop beats and bleepy samples and subtle operatic vocals. Peaceful and sincere, perfect for a introspective TV scene.
The Last Time
Electronic beats with heavy delay, echoing, harsh and glassy. Bleepy synth seeps into the soundscape. Orchestral strings provide a sombre humanity. Beats intensify to a sparse finish. Suspense, tension and a sense of foreboding.
The Crash
Harp arpeggio, lyrical and pastoral, joined by flute, strings and glassy electronics. Machines imitating nature. Strange, poignant and atmospheric, would suit a investigative TV, or a thoughtful documentary montage.
Streets Call Your Name
Dark, atmospheric hip hop beats with strings.Sombre, brooding and edgy, would suit an after-dark advert or a gripping, dangerous contemporary TV drama.