The Colour’s Coming Back to our Faces

Happy positive rock track with electric guitar, strings and piano. A bit Coldplay “When I Ruled The World”-like. Wholesome, warm and optimistic. Something great has happened, something has been achieved. We’ve done it. Perfect for corporate / charity campaign.

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The Club was Full of Girls in 1981

Seriously Seventies disco track, with funk guitar, bass, keys, brass section and vocals. Sleek, funky and retro, perfect for advert encapsulating that feeling before hitting the club, getting ready for a night out with your ladies or your boys.

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Move Your Feet

Quality disco with a laid back feel. Intro builds on a hi-hat drum riff with a funky bassline, joined by cool piano, jangling guitars. Cool, funky and earnest. Reminiscent of “We’re Lost in Music” by Sister Sledge.

Vocal version has words “move your feet, step up to the beat, got the urge to move your body”.

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Frisco Disco

High energy disco with a club feel. Intro builds in timbre crashing into sophisticated high energy disco arrangement with funky bass, bongos, string riffs, piano and the occasional sexy voice saying “yes”.

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Making Jack a Dull Boy

Dark atmospheric piano elements with tambourine and other percussion. Grooving and dissonant, building with tense octave notes. Sounds like: Tom Waits’ soundtrack to Down By Law.

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Kerugugs Homecoming

Comic high-drama, toybox symphony. An epiphanic moment. Bagpuss and co. get back home after stopping an asteroid colliding with the earth. Or something. Mega-silly symphony of kazoo, voice and accordion.

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Judas

Uncomfortable reggae-funk, with what sounds like electronic braying donkeys in the background (melodica). A quizzical brooding atmosphere with heavy beats. Imagine a slightly dysfunctional circus-like “Your Woman” by White Town.

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To Jorn

Sparse piano and birdsong build into a warm positive atmosphere with added synth pads. Feelings of wellbeing, relaxation and peace, gradually crescendoing to finish.

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My Garden

Lush warm fantasy with pizzicato and orchestral synth strings, female choral vocals and distant electric guitar. Ever so slightly kitsch.

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Klynkernes Bro

Downbeat electronica with percussive echoing sequences. Cool, sensual and snaking.

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