Me and My Friend

Innocent piano-led orchestral string track. Bright, hopeful piano intro, playful pizzicato strings enter, joined by cheeky, cheerful percussion. Orchestral strings become more prominent, sweet glockenspiel melody, hand clap-style percussion, jaunty piano outro. Fun, innocent and dynamic. Bright-eyed and bushy-tailed, feels like the arrival of Springtime. Perfect for a delightfully pleasant advert for a jolly family product or as background music on a feel-good tv documentary about the flora and fauna of the English countryside, or communities coming together in harmony.

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Season Creep

Atmospheric string and piano build. Ephemeral strings, echoing beat intro, gentle piano notes, strings drone building anticipation. Piano chords then opens up with sustained strings, drums, guitar and tambourine. A quiet section, the best remains then drops out, just piano and light strings to finish. Determined, ambitious, striving and positive, would suit an advert for a powerful, reliable car, or a success against the odds on TV/Film.

No Drums version available.

1 min and 30 sec ad length versions available.

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Captain Marzipan

Balkan-style instrumental. Sustained string note builds anticipation, piano motif and drums enters underneath, excitement builds. Strings become louder and earthier in tone. Balkan-style melody enters on choppy violins with double bass drums and piano accompaniment. Grows with frenetic energy, soaring, squeaking violins, melodies intersecting. Dramatic change of tone: complete slow down with drunk double bass and woozy violin swaying drowsily between notes. Shrill piano joins adding jazzy flourishes, all build back to previous upbeat, ramshackle melody. Dramatic, surprising, reckless and intriguing, suitable for a rollicking TV advert or Film/TV/Doc scene, or a strange party scene, where our character is disorientated and disconcerted by the madness happening all around, dropped unexpectedly into a quirky unknown world.

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If You Were Mine

Jazz piano solo. Relaxed jazz chords, sparse and measured. A tense repeated phrase leads to a pensive, sombre melody with hints of hope from high piano notes. A meandering improv-like melody deviates from the original chords progression before a quiet, content ending. Thoughtful, intense and reflective, a moody piano number perfect for a the heightened tension of a romantic love scene. Two star-crossed lovers on separate paths through rain soaked streets. One in Paris, the city of lights, the other in Woody Allen’s New York…will their paths ever meet again?

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Careless (Suite)

Electronic track. Beat intro with mellow synth. Added beats, rhythmic bassy synth, harsh, glassy synth effects and straight up drums. Upbeat but slightly melancholy with a hint of tension. Suitable for moody TV drama sequences or for a cool, clean, modern advert.

Careless 2 is longer, more like a electronic dance track, with added finger snaps and effects and punchier beats.

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Instant 1

Synth pop track. Frantic bleepy synth intro, snare drums shuffle. Keyboards play sparse riff, over alternating marimba-like synth notes. Another layer of piano creates overlapping rhythms, Drums break with single piano notes, drums become more complex. Spanish acoustic guitar plays solo over drums, frenetic, choppy orchestral strings take their turn before the finish. Sombre and mysterious, sophisticated pop for flashy corporate videos, ad campaigns or background music for intriguing documentaries.

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Piñata (Suite)

Fun brass and guitar romp. Drums and energetically strummed acoustic guitar intro with piano chords. Brass enters, playing a punchy, upbeat repeated phrase. Track builds, instruments doubled to an abrupt, triumphant finish. Fun, happy, energetic and celebratory, would suit a fun TV montage, our characters plotting a hilarious surprise, or the Bananas in Pyjamas planning a secret birthday party. Also suitable for feel-good family summer adverts.

No Drums, No Brass versions available.

No Brass version available.

30 sec ad length version available.

Stem tracks available on request.

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The Colour’s Coming Back to our Faces

Happy positive rock track with electric guitar, strings and piano. A bit Coldplay “When I Ruled The World”-like. Wholesome, warm and optimistic. Something great has happened, something has been achieved. We’ve done it. Perfect for corporate / charity campaign.

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Pile Dans les tCnabres

Bright guitar strumming joined by upright bass and glockenspiel. Develops with fluttering arpeggios and more active glockenspiel lines, breaking down at 2:08 to a more pensive section with long cello notes and stately horns. Builds slowly in harmony, dynamic and layers to a controlled ending. Warm, delicate, complex and beautiful.

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Sei Nu Mei

Moody, strong and beautiful, acoustic and electric guitar with strong echoing industrial rhythms and warm, glass-like sounds. Female “oo’s” wash in and out. Reminiscent of Bjork.

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