Medley: The Drink, The Sound, The Sea Elephas

Acoustic guitar medley of styles. Bright acoustic guitar, bobbing along with growing intensity and heavier chords. After 3 mins, new section, more improvisatory with hints of tension, ending on waves of strummed guitar. Hopeful, nostalgic and sincere, sounding like the movement of water, still then stormy, would suit a journey, personal or physical, in Documentary or Film/TV.

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Fear

Happy intro with solo violin riffs and evolving arpeggios, quickly form a firm driving groove with a strong roving bass line. Mood is neutral but chilled, then after a few breakdowns at 3:07 it reduces to a stomping 4-to-the-floor cut down beat before the rest of the elements crash back in. I could personally listen to that reduced beat all day – awesome production throughout. Understated, refined and sophisticated. Vox version has a soulful male voice (Elliot Chapman).

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Oubliette (Suite)

Gentle pensive piano track. Slow repeated piano motif, extra piano line added and subtly building orchestral strings. Thoughtful and reflective, sad yet hopeful, would suit an advert for insurance or healthcare, hope of a bright future in the face of today’s sadness and loss.

Piano Only version available.

1 min and 30 secs ad length versions available.

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Saisis par le Soleil

Glassy tones with bright guitar arpeggios and gentle glockenspiel. Delicate timbre with emphasis on glittering fantasy. holds back and quickens to 2:51 where strummed guitar introduces a more urgent section with horns and building layers of harmony. At 4:58 there is a held breakdown where everything is still, like holding your breath, then glock and guitar build almost imperceptibly to a strummed final section with added percussion. A beautiful, sublime track.

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Le Vent

Beautiful glockenspiel sequences with glassy synth in background. Joined by plucked classical guitar – very anticipatory. Stays on a soft dreamy tip until 2:30, where it breaks down with quick percussive glockenspiel. Finally breaks into a light beat at 3:53 with harmonising arpeggios, then builds slightly with synth pads. Simple guitar arpeggio outro.

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Voices in My Head (Suite)

Dramatic anticipatory undertones, rich synth landscapes. Uneasy and dark. Excellent for underscore in tv / documentary dramas.

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Sarah’s Ambience

Uneasy tones, starting with radio static and joined by metallic morphing harmonies. Perfect backdrop for suspense and drama. Expansive and desolate.

Versions with acoustic guitar and minimal acoustic guitar

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Making Jack a Dull Boy

Dark atmospheric piano elements with tambourine and other percussion. Grooving and dissonant, building with tense octave notes. Sounds like: Tom Waits’ soundtrack to Down By Law.

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A Favourite Place of Mine

Metal xylophones, evocative of memories and times gone by, with (later) hip-hop-esque percussion patterns.

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To Jorn

Sparse piano and birdsong build into a warm positive atmosphere with added synth pads. Feelings of wellbeing, relaxation and peace, gradually crescendoing to finish.

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