Meeting is Over

Pompous and hypnotic, with an entrancing dialogue between vocals and harmonica that create an meditative and longing feeling. A compelling folk with a dark flavour, will complement your character as he makes it to the top of the mountain and looks at the world from a higher perspective.

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More than Hard

Dreamy and repetitive, with light synth pads and a gentle yet firm electric guitar that create an ambient episode with a chilled overall feeling. Eighties influences and modern chill out beats mixed together that will fit corporate videos and product showcases, but also title sequences and b-movies.

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Hide and Seek

Dark and hypnotic, with a wobbly bass synth and groovy drum beats that make for a deranged industrial setting. Challenging moments ahead. Feels like being underwater. Will suit sci-fi and dystopian worlds.

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Dooms and Chills

Mysterious and saturnine, with filling bassy drones and evoking swarms of synths that create a sense of uneasiness and dark anticipation. Steady until 2:50, it then builds up to a more loaded setting at 4:00, and then delivers different thrilling flavours shifting every couple of minutes. Great for thrillers, horrors and psychological settings.

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Withicon

Dark and groovy, with a low-key drum machine beat and gritty inserts of synth and classical instruments that make for a mysterious and hypnotic ambient setting. Minimal and foreboding but not without a sense of humour, good for introspective and quirky scenes. We’re definitely waiting for something to happen.

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Before My Time is Done

Hypnotic and earthy, with soft percussive elements, acoustic guitars and a mellow leading fiddle that take us into world/folk territories without being too flashy. Sounds like venturing into the wild unknown but you have all your marbles with you and you know what your are doing. See, if only Leonardo had this music in The Revenant, he wouldn’t have been molested by a bear.

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Bowed Softness

Dark, highly atmospheric and gently driving and urgent. Brushed strings, soft beats and droning bass synths create a powerful ambient atmosphere. Constantly moving and pushing through in a place of darkness, the tension gradually starts resolving to an uneasy sense of hope.

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The Escape

Celebratory and epic orchestral score, with lush and powerful arrangement. Bold brass, balzato strings and engaging harp strums. A marked sense of discovery and grandioseness, with echoes of ancient battles and conquests. Perfect for celebration scenes and big epic sequences.

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X2Y

Dark and slow burning, featuring hypnotic synth arpeggios and mystical choirs that develop in a full grand orchestral hybrid arrangement in the second part. Builds up steadily till 1:50 and then steps up with brass instruments. Great fit for big epic film scoring and otherworldly, mystical characterisations. Flash Gordon would love this.

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Pathways

Hypnotic with a dissonant edge, featuring an upright piano, acoustic guitar-led arpeggios and a strings section. There is an interesting combination of a delicate and playful mood with disturbing inserts of harmonic madness, mainly given by the piano. Great fit for scenes where your audience needs to know that something in our character is starting to drift.

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