Playful and bright, with a cheerful harmonica, fiddle, acoustic guitars and percussion that make for a lively folk setting with a festive mood. Remainders of Irish and Scottish countryside, will suit village celebration scenes, travel montage.
Electronic track. Beat intro with mellow synth. Added beats, rhythmic bassy synth, harsh, glassy synth effects and straight up drums. Upbeat but slightly melancholy with a hint of tension. Suitable for moody TV drama sequences or for a cool, clean, modern advert.
Careless 2 is longer, more like a electronic dance track, with added finger snaps and effects and punchier beats.
Gritty bass synth riffs and driving beats, with elements of electricity. Robots, sci fi experiments for kids. Fun, but serious fun. A bit like the music the children of Trent Reznor would make.
Funky, energetic tune featuring a driving bass guitar, retro drum groove, smoking Hammond organs, and a punchy brass section. There are two harmonic shifts at 1:00 and 2:10. An instrumental James Brown playing with Earth Wind & Fire.
Synth pads and grooving hi-hat introduce a bold kick. Evolves by the book into an early house classic with 808 snares and claps. At 1:48 muted synth chords start stabbing the air, gradually building tension until dropping into a tight groove. Reminiscent of the music to “Good life” by Inner City, with better production. Retro, confident and driving. Vox version has a soulful male voice (Elliot Chapman).
Happy intro with solo violin riffs and evolving arpeggios, quickly form a firm driving groove with a strong roving bass line. Mood is neutral but chilled, then after a few breakdowns at 3:07 it reduces to a stomping 4-to-the-floor cut down beat before the rest of the elements crash back in. I could personally listen to that reduced beat all day – awesome production throughout. Understated, refined and sophisticated. Vox version has a soulful male voice (Elliot Chapman).
Lush pensive evolving synths introduce joined by a muted build up of kick, bold funky rhodes and synth bass arpeggios. The track teases you by rising and falling, not ever quite kicking in but building deliciously with percussion and synth pads, keeping you on tenderhooks thoughout. Dark, sultry and sophisticated dance music. Vox version has a soulful male voice (Elliot Chapman).
Crisp summery house beats with tasteful conga and a bassline that is just falling over itself. Soft rhodes and tinkling percussion create a lush atmosphere, reminds me of a dreamy beach party in Ibiza. Alone – Blissfully dancing on your own maybe? As opposed to being alone and sad with no mates 🙂 Vox version has a soulful male voice (Elliot Chapman)
Guitar-led, expansive and euphoric, an anticipatory intro builds to strong drums introducing themselves at 0:11. Perfect as an intro / sting to an exciting corporate film.
Medium-fast synthpop with vocal ahhs and oohs. Strong beats and violently happy, makes you want to run free and fast. Young, fiercely proud, pulse quickening and driven. Reminiscent of MGMT’s “Kids” but harder and faster.