Cute, euphoric EDM. Fat synth chords, laser beats, accelerating bouncy sound effects and a 5-4-3-2-1 countdown build anticipation before the drop into colourful, brain-candy EDM. Calvin Harris meets PC music, fat 80s synths and banging beats mixed with cutesy sound effects and saccharine synth happiness. Positive, summery and fun-filled, perfect for a summer advert, with young, cool people raving on a roof, or for feel-good Reality TV.
Dreamy synth track. Muted 80s synths, soft and washed out, over more synths. Builds with added vocal-like synths playing with Twin Peaks-esque acid sweetness. Melodic, sentimental and cheesy, perfect for a pastiche of dramatic daytime TV or for a emotional Christmas advert.
Summery electronic track. Fat, warm, wobbly synth chords introduce a cute helium synth melodic motifs. The chunky beat drop, synth melody is doubled, fuller synths join. Twinkly harp-like break followed by scratchy synth, Skrillex-style D’n’B rhythms and high pitched synths. Modern, futuristic and utopian, positive, saccharine synthpop for fresh youthful adverts or fun Factual/Entertainment TV.
Easy-going acoustic guitar track. Gentle acoustic guitar finger-picking with soft piano chords beneath. Breathy vocal ‘Ooohs’ join at the chorus. Next time round more vocals with harmonies and fuller plucked guitar. Hopeful, positive, sweet and romantic, a bit Dawson’s Creek, and as wholesome as the Gilmore Girls, perfect for a saccharine advert or thoughtful, pastoral TV/Film scene.
Romantic piano and string track. Lush orchestral strings, a slow-paced piano melody, descending. The strings swell and overwhelm the piano. Becomes more dramatic and hopeful, literally ending on a high note. Melodramatic, wistful and nostalgic, like Bach’s ‘Air on the G String’ crossed with a less eerie Twin Peaks theme tune, would suit a heartfelt TV/Film moment or advert playing on saccharine retro melodrama.