Epic percussive build. Pounding drum intro, more percussion added, building layers of rhythms and heightening the tension. Full beat established, drops to melodic drum break, before full pounding percussion resumes. Excited, driven and determined, a tribal feel, calling to mind Asian music traditions, to suit epic, ambitious film soundtracks and mounting tension on screen.
Made up of three contrasting sections. First, a futuristic pastoral soundscape with a pan-pipe-like tribal-sounding repeated synth note calling out across the landscape. Then blobby liquid percussion, piano, glitchy electronics and drums interplay until they launch into a drum ‘n’ bass section. Birdsong and a return to nature follow, with forest sounds and a repeated electronic pulse. Next section seeps in with blissful major chords, dreamy glittering electronic fx, soulful beats and dubby bass. A spoken word sample situates us in hip-hop/jazz territory. The voice repeats “walk on, walk tall”, as sparkling synth gives way to birdsong and water. At times, tense, tribal and spiritual, moving to chilled, soulful and inspired, this would suit before/after adverts for a product meant to inspire, slow you down and change your life for the better.
Running over the hills, through the forest, but like, as fast as the wind. In black and white, as part of a dramatic film sequence (or an advert for Jägermeister) – is my exploitative interpretation of this brilliantly thumping and atmospheric track. Tribal drums (in the folk sense?) perfectly synchronised with acoustic guitar keep you on your toes with off-kilter time signatures and dramatic flourishes. The vocal version adds a close but haunting feel pushing you like the wind… you can probably tell I like this track. Imagine Woodkid, if Woodkid was good.