Mysterious, epic and progressive, a slow chordal progression with bassey undertones to an electronic pulse, to 3:44 where more distinct melodic elements appear. A quiet breakdown at around 6:00, before a definitive lead electronic riff appears at 6:30 to build in complexity to a relaxed electronic climax. Basically you probably would listen to this if you took some psychedelics, or at least listening to this will make you feel like you are on some sort of psychedelics. Imagine the soundtrack to a robotic world fizzing with colour and happiness, with no humans. Ahhh what a lovely thought.
Author Archives: jamie
Jonquils
Sweet simple piano and bells, joined by light string section. At 0:30 mins in there is a more pensive section, a feeling of hesitation, “will everything be ok?” but then we are warmly reassured from 1:05 mins in, with instrumentation that builds to a strong and triumphant end. Perfect music for, I don’t know, a feel good video about adopting a puppy? I see puppies. Damn those Andrex adverts.
GOSH – Struggle & Hope (suite)
Simple acoustic guitar picking is joined by bells and pulsing strings, developing into a charged track with feelings of darkness, struggle and glints of hope. Different sections bring in instruments like harp and xylophone for a short period of light relief, then the track races to its end with dramatic string crescendo.
Un Frere et la Mer
Simple melodic guitar and percussion with feelings of fantasy, magic and a hint of oriental. Beautiful arpeggios layer upon each other in positive waves, accompanied by echoing vibraphone/glockenspiel, threatening to launch into the stratosphere. However the organic instrumentation keeps one foot steadfastly in reality, and what a nice lush reality it is 🙂 Perfect for a brand doc about something delicate and refined, feels a bit like you are flying above green pastures.
Two
Relaxed rhodes piano with scatterings of upright bass, this is lounge jazz at its loungiest. Bordering on cheese but never quite getting there, feels like slightly kitsch splendour, glossy wonder, plastic fantastic, dripping with minimal sophistication. “Is that a cocktail shaker in your pocket or are you just happy to see me?”. Perfect for opulent scenes.
Never Wanna Say
Synth pads and grooving hi-hat introduce a bold kick. Evolves by the book into an early house classic with 808 snares and claps. At 1:48 muted synth chords start stabbing the air, gradually building tension until dropping into a tight groove. Reminiscent of the music to “Good life” by Inner City, with better production. Retro, confident and driving. Vox version has a soulful male voice (Elliot Chapman).
Fear
Happy intro with solo violin riffs and evolving arpeggios, quickly form a firm driving groove with a strong roving bass line. Mood is neutral but chilled, then after a few breakdowns at 3:07 it reduces to a stomping 4-to-the-floor cut down beat before the rest of the elements crash back in. I could personally listen to that reduced beat all day – awesome production throughout. Understated, refined and sophisticated. Vox version has a soulful male voice (Elliot Chapman).
Day to Night
Lush pensive evolving synths introduce joined by a muted build up of kick, bold funky rhodes and synth bass arpeggios. The track teases you by rising and falling, not ever quite kicking in but building deliciously with percussion and synth pads, keeping you on tenderhooks thoughout. Dark, sultry and sophisticated dance music. Vox version has a soulful male voice (Elliot Chapman).
Alone
Crisp summery house beats with tasteful conga and a bassline that is just falling over itself. Soft rhodes and tinkling percussion create a lush atmosphere, reminds me of a dreamy beach party in Ibiza. Alone – Blissfully dancing on your own maybe? As opposed to being alone and sad with no mates 🙂 Vox version has a soulful male voice (Elliot Chapman)
Chromer (30 secs)
Guitar-led, expansive and euphoric, an anticipatory intro builds to strong drums introducing themselves at 0:11. Perfect as an intro / sting to an exciting corporate film.