Time for the Mouse to Chase the Cat

Jolly orchestral caper. Plucky, percussive strings intro joined by dynamic woodwind with playful glockenspiel interludes. Call and answer section between strings and glockenspiel with insistent pizzicato percussion. Fun, quirky and cute, a spritely orchestral cat ‘n’ mouse chase, perfect for an advert for a pesky household problem with an ingenious solution.

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Like An Angel

Anticipatory electronic track. Fade In. Moody beats, fat synths and a repetitive melodic synth motif emerge fully formed. An insistent 4/4 beat underpins 90s-style samples and electronic flourishes. Determined, serious, yet upbeat, would suit a half sophisticated, half cheesy advert for a functional product, think chrome and flashes of steel, shiny and indestructible. Would also suit Film/TV scenes of anticipation and action.

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Dance Flaws

Fast-paced beat-driven chase track. Piano chords and instant driving breakbeat rhythms. Hammond organ-style synth notes, funk guitar and synth chords give a 70s vibe over the modern beats. Drum break with electronic samples like barking dogs before full throttle, all in to the end. High octane, excited, breathless and thrilling, suitable for a TV/Advert chase scene, imagine a mad dash across busy city streets to get to that essential product before it’s too late.

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Not For Nothing (Suite)

Instrumental indie rock ‘n’ roll stomper. Pounding drum intro, electric guitar riffs, a steady mid-tempo groove and an angular lead guitar solo. Brash, loud and in-your-face, suitable for an attention-grabbing advert, a dash across a busy city or a Film/TV sequence requiring rock ‘n’ roll attitude.

1 minute and 30 second ad-length versions available.

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Chasing Bullets

Blistering electronic dance track segment, suitable for looping. Drum ‘n’ bass beats, laser synths and an electronic pulse dart frenetically over a dystopian soundscape. Tense, threatening and fast-paced, perfect as a textural soundscape for a dark action movie chase scene as our troubled Jason Bourne-like hero narrowly outsmarts the baddies.

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Tickety Tock

Tense, percussive electronic track. High-tension, high-pitched, high-speed cowbell beats over sparse pounding drums and fleeting percussive and electronic effects. A trance synth beat takes things down before piano chords introduce a hyperactive finale. Nerve-wracking, exciting and full of anticipation, a nail-biting percussive race with Balearic House vibes, suitable for a any TV/Film/Advert scene where the heat is on and the clock is ticking.

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The Sky’s Limits

High tension electronic track. Insistent synths attack, alternating between a rough fuzz and a clear pulsating synth sound. More layers added as the tension builds with panning beats escalating the tension. A piano outro gives some relief. We’re out of danger…for now. Intense, nerve-wracking, dark, urban, the soundtrack to a Jason Bourne-style race against time, an urban thriller, suitable for chase sequences on TV/Film or adverts parodying this genre.

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Into the Black (Instrumental)

Pulsating instrumental electronic track. A threatening synth pulse, turning into a full blown drum ‘n’ bass beat with a repeated melodic synth motif on top. A pause, the pulse re-enters, relentless and driving, with laser synth beats and other electronic effects. The track builds until the end. Breathless, thrilling, cool and dark, perfect for a tense chase scene in a bombastic urban gangster tv/film sequence or an ad parodying this type of edgy thriller.

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Time

A short, marimba-led percussive build. Layers of tense, dynamic percussion intensify over a repeated melodic motif on marimba and bass guitar. Nerve-wracking, mischievous and fluttering with excitement. Perfect for a tense movie scene, time passing too quickly- Will we make it, or will it be too late?

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AP Action Live 60 secs

Amazing orchestral production in a frenetic desperate chase. It feels like something massive and cataclysmic is bearing down at you, there was no time to warn anyone or gather anything, the only thing to do was RUN. Is it a monster? Is it a natural disaster? Is it an army? Full orchestra climaxes with a doom laden soft bellow of horns.

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