Expansive, thoughtful and evocative. Piano, guitar and strings with radio waves.
Tag Archives: Jamie_P
The First Journey (Suite)
Gentle percussive piano builds from silence into a strong main section. Searching, passionate and moving. Versatile for any dramatic scene or campaign.
Deadline Eclipse
Tense minimal piano is joined by solo acoustic guitar over a background of Steve Reich-like pulses, building to a positive section of wonder and serenity. After a held section the piece moves to a foreboding ending. Perfect for film.
Tobinesque
Subtle, ambient intro of sparse percussion and synth melody, foreboding and dark, building to a harder sound with pizzicato orchestral strings and 90s trip hop beats. Slightly glamourous, exotic and classy, like a modern James Bond film, perfect for an action/thriller or exciting, potentially dangerous TV scene.
Uncut (Suite)
Slow, foreboding piano track with orchestral strings, percussion and electronic beats. Tense, dark and foreboding, like a wintry evening, driving in the countryside. Grown in intensity as more electronic beats are added. Brooding piano throughout, perfect for an atmospheric TV/Film scene with a hint of hope.
Interludes feature piano only.
Intro and Outros feature piano and electronic beats.
At The Circus
Dreamy build on keys with delicate echoing harmonies and swaying shuffling drums. Relaxed, gentle and sun-kissed, perfect background music to a bleached out montage of the happy sunny days of youth.
Trix
Delicate electronics, sustained synth, magical atmospheric sound effects and reverb-laden electric guitar. Female vocal melody, sparse, heartfelt and breathy. Senusual and romantic with hip hop beats and bleepy samples and subtle operatic vocals. Peaceful and sincere, perfect for a introspective TV scene.
The Last Time
Electronic beats with heavy delay, echoing, harsh and glassy. Bleepy synth seeps into the soundscape. Orchestral strings provide a sombre humanity. Beats intensify to a sparse finish. Suspense, tension and a sense of foreboding.
The Crash
Harp arpeggio, lyrical and pastoral, joined by flute, strings and glassy electronics. Machines imitating nature. Strange, poignant and atmospheric, would suit a investigative TV, or a thoughtful documentary montage.
Streets Call Your Name
Dark, atmospheric hip hop beats with strings.Sombre, brooding and edgy, would suit an after-dark advert or a gripping, dangerous contemporary TV drama.