Hypnotic improvisational string track on Cretan lyra. Layers of overlapping Cretan lyra play drone-like modal phrases. At 3 minutes, the various lines come together along with added percussion, to form a more driving, unified, full melody, growing in intensity with hints of Irish folk music and Arabic music, to a powerful ending. Mesmerising, contemplative and experimental, singular sounds for a documentary looking at lesser-known cultures, spiritual places or undefinable combinations of cultures.
Tag Archives: Oud
Cosmo Volkov
Oud instrumental with ambient sounds. Sounds of flowing water introduce an atmospheric, heartfelt oud solo, and linger in the background throughout. Subtle snare drum marks the end of long, lyrical phrases. Contemplative and reflective with hints of nostalgia, perfect for documentaries set in the Middle East or nature docs panning vast desert landscapes.
A Big Score
Experimental, tropical instrumental with brass and percussion. Wavy brass and woodwind and sparse frenetic double bass, oud-like guitar with shakers, drums and orchestral percussion begin a 2-part musical journey in Casablanca, or some other city of intigue and passion. Marching band snare gives way to tropicalia on shakers, bass, acoustic guitar and wah wah effects. All the colour and life of a tropical jungle dances sweatily together with brass holding the Latin-style melody. Retro, intriguing yet sexy and ambient, suited to an ambitious Film/Doc or TV show set in sensual, sunny climes or an atmospheric summery advert for a passion-inducing indulgence.
To Quetta
Frenetic, rhythmic percussion over tense, sparse piano chords and Middle Eastern-style melancholy strings and scatterings of oud. Strange, unsettling and sad, suitable for a tense, searching documentary, or disorientating TV/Film scene.
The Day Before Quetta
Sparse, sombre piano track with scratchy violin and atmospheric oud. Solemn, tense and desolate, an empty landscape, deserted streets, suitable for sad, suspenseful TV/Film dramas, possibly set in the Middle East.