Electronic synth track with female vocal samples. Looped sample of a nonchalant female vocal, repeated percussive synth notes lay down the syncopated beat, subtle hi-hat, before a drop to a downbeat chunky synth section. Breaks into more expressive female vocal and upbeat wonky synth part before the original sample returns. Relaxed, summery, cool and romantic, would suit a visual featuring emotional milennials lying around, on their phones, waiting for those magic letters to appear…ily
Laid back reggae/jazz instrumental. 1920s jazz meets reggae rhythms. Skanking piano, breezy drums, relaxed, smooth brass, reggae rhythms with vintage jazz mood and flourishes. Nostalgic, retro, relaxed and calming, would suit a 1920s-themed onscreen party or an advert for an easy-going, fun summer event.
Summery instrumental brass and keys track. Percussive intro, like a trap beat, joined by shimmering keys and jazz chords. Woozy effects with warm bass and smooth brass. Punchy brass section, off-kilter keys and percussion and bass solo. Blissed-out, warm, summery, upbeat but relaxed, would suit a retro Film/TV scene surveying a pool party or the hazy concrete streets of a neighbourhood block party.
Country-style violin-led track. Walking bass, drums, gently strummed guitar and a jaunty fiddle melody. Energetic electric slide guitar solo introduced in new section. Fiddle rejoins and plays a countermelody. Laid-back and happy, reminiscent of Spongebob Squarepants’ underwater backwater, perfect for a kitsch ode to the old country on Film/TV or a jokey advert.
Relaxed acoustic shuffle with hints of electronica. Acoustic guitar, shuffling drums and bright, fleeting electronic samples build to a steady laid-back groove, alternating between acoustic sections and more electronics-heavy breaks. Passionate, hopeful and romantic, would suit an intense emotional scene or a pensive onscreen road trip.
Vocal version is even more romantic, with breathy male vocals and tender lyrics.
Happy piano build with vocals. Cute piano, keys, glockenspiel and hand clap intro. Anticipation builds with extra keyboards and piano chords. Female vocal ‘ooohs’ add a calming, dreamy quality. Excited, positive, relaxed and peaceful. Suitable for an advert full of anticipation that leads to a successful and calm resolution. Feels like a job well done: a beautifully painted room, a well-risen cake or a good night’s sleep.
Instrumental version available.
No Drums version available.
1 min and 30 sec ad length versions available.
Moody downbeat electronic track. Intro of shimmering synth and finger-snap-style beat. Arpeggiated synth melody and underwater beats are joined by syncopated cowbell – sparse percussion over a wash of silvery synth. Bassy synth joins, adding depth to the track. Moody, downbeat, relaxed, head in the clouds, a laidback track, suitable for cool contemporary advertising as well as Film/TV.
Breezy lounge-jazz number on saxophone, piano, strings and drums. Sax melody introduced from the beginning. Smooth sax solo accompanied by piano, drums and strings before return to the melody and a fade out. Smooth and laid-back, suitable for a TV or Film montage or link sequence, or a nostalgic advert. Frasier meets 1980s/90s lounge music.
Country music instrumental. Interweaving acoustic guitars, ramshackle drums, slide guitar, harmonica and a whistling effect all get down together at the county fair. A solid plodding bass line, Ă la Johnny Cash’s ‘Walk The Line’, keeps this topsy-turvy show on the road. Relaxed and jolly, this rollicking tune would suit adverts for a fun-for-all-the-family product, or a TV/Film country-livin’ pastiche.
1 minute ad length version also available.
Smooth piano-led jazz track. Jaunty jazz piano riff over a bed of walking double bass and shuffling drums. Piano improvisations, before a double bass solo then back to piano soloing with accompanying chords beneath. Chilled, peaceful and positive, laid back jazz club vibes, perfect for breezy adverts or warm, comforting TV/Doc scenes.
Bed track features chordal piano, double bass and percussion, no solos.