The Get Back

Sample-heavy hip hop with electronics. Arpeggiated synths intertwine with an analog, modular vibe. Male vocal samples and a laid back beat kick in with hints of orchestral strings for grandeur. Strange, trippy and cool, breezy 90s California feel perfect for a pop culture doc or weird online content.

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Stadium 1

Dark atmospheric electronics. Quiet, desolate intro of electronic drones and feedback. Strange percussion creeps in with wonky bending notes sounding like a drunk cello. The instruments are swamped by a wave of electronics. Tense, mysterious, frightening and other-worldly, suitable for a strange, supernatural TV drama or a trippy movie scene.

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Blue Haze

Light electronic rock track. 90s-style wavy electric guitar chords over a rhythmic guitar intro, Heavy guitar pedal effects on the guitar melody, drowsy and psychedelic with grungy slacker vibes. The drums give a hint of slinky 80s nostalgia. Moody, sexy and slightly dark and tortured, like every character in My So-Called Life, perfect for 90s throwback adverts or documentaries, and trippy montages.

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San Marino

Gentle pastoral orchestral string track with soothing male vocals. Slow, atmospheric intro of harp and percussion establishes a hypnotic plod before male ‘Aaahs’ softly wash over the instrumental bed. Subtle sustained woodwind added, along with sparkling percussion and orchestral strings, tambourine and flute. Calm, peaceful with a hint of excited anticipation. The Wicker man meets Green Man Festival, perfect for a fantastical film moment, a trippy woodland adventure, a Wicker Man-style , or nature documentaries.

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Luzhin

Fractured and bouncy electro pop. Begins with slow harpsichord then changes abruptly to glitchy topsy-turvy rhythms. Fun, bit-crushed and slightly trippy, imagine that bit in The Beach where Leonardo DiCaprio becomes a computer game.

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