European jazz track. Plodding acoustic guitar and piano chords with steady, walking double bass, drums and accordion chords. Brazen violin plays an improvised melody on top. Accordion takes over on melody with playful snatches, before back to violin. Laid back and chilled, with a seductive and intriguing quality, perfect for advert/TV scenes evoking a retro idea of Paris – cobbled streets, tiny cars and sexy people.
Bed track available sans violin.
Melancholy piano track with strings. Quiet, minimal piano intro, building in intensity and volume to an undulating piano section accompanied by slowly building sustained orchestral strings. Magical, tinkling piano break before the fast-moving piano returns. Orchestral strings build and build, almost drowning out the piano. Delicate piano outro. Melancholy, moving and powerful, a bit Michael Nyman-esque, a cinematic track to suit bombastic adverts or heightened TV/Film scenes.
Atmospheric electronic track. Reverb-laden piano, church-like reverberations with delicate, sparse electric guitar and fleeting electronics added. Orchestral strings play out sustained notes with single, bending violin notes crying out on top. Downbeat, melancholy, pensive but with a hopeful nostalgia, like wandering home through empty streets in the middle of the night, perfect for a reflective TV/Doc/Film scene or a thoughtful advert.
Cinematic orchestral thriller. Tense, choppy string motif, building in intensity, joined by horn blasts and rumbling percussion. Grows to a powerful, lyrical melody, determined and triumphant, before a quiet final section on piano. Exciting, dramatic and exhilarating, perfect for a cinematic adventure sequence, or ambitious advert lampooning this style.
Epic orchestral film music. Atmospheric noise like rain on the windowpane before the orchestral strings enter with a slow, powerful melody. A quiet moment of melancholy chordal piano before a percussive slow build with choppy, tension-building strings and lush, dramatic sustained strings. End on a quiet piano note. Dramatic and sombre with a hint of hope, perfect bombastic film soundtrack music for an ambitious advert or heightened moment of drama onscreen.
Relaxed reggae/jazz track. Mellow, plodding bass with a slow guitar skank to start. Laid back brass enters, piano solos around the same riff, followed by a strange meandering reverb-heavy sax solo. All then riff together to an unexpected electronic ending. Warm, relaxed, jazzy yet sparse, subtle reggae to suit a blissed-out advert or Film/TV scenes of lazing on a Caribbean island, or chilling in a hot and hazy inner city block party.
Orchestral soundscape. High register sustained strings, rhythmic piano motifs and bass drones create a lush, mysterious soundscape. Jerky, stop-start moments and dark harmonies create slight unease until the chords resolve again. Reflective, heartfelt and troubled, quietly powerful soundtrack music to suit a desolate landscape or a thought-provoking visual.
Laid back country rock track. Funky electric guitar riff with solid bass guitar, steady drums and bright piano chords. Slightly psychedelic, slightly brit-pop but mostly country pop/rock instrumental, Oasis’ long-lost country album. Upbeat and happy-go-lucky like a cheeky cowboy, would suit relaxed adverts for American-style foodstuffs or an easy, breezy TV/Realty TV scene.
Epic orchestral string track with piano and woodwind. Languid orchestral string intro, joined by pastoral woodwind. Woodwind motifs mimicked by the string parts. A dramatic stop before a delicate but excitable piano section with added plucked strings. Orchestral strings runs added, fast-moving and spritely above the piano. Extra piano joins, taking a melancholy tone, strings build to match the dramatic melody. Woodwind returns for the final wind down. Melancholy yet dramatic and lively, cinematic with lots of movement, would suit a long, powerful Film/TV scene of strong emotional resonance or an over-the-top advert.
Romantic piano and string track. Lush orchestral strings, a slow-paced piano melody, descending. The strings swell and overwhelm the piano. Becomes more dramatic and hopeful, literally ending on a high note. Melodramatic, wistful and nostalgic, like Bach’s ‘Air on the G String’ crossed with a less eerie Twin Peaks theme tune, would suit a heartfelt TV/Film moment or advert playing on saccharine retro melodrama.