Let’s Wrap Things Up

Energetic electric guitar romp. Starts with a bang. Solid guitar riff, wild guitar solo, stomping drums turned up to 11 throughout. Powerful, brazen and in-your-face, a high-octane track for an advert with attitude.

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Not For Nothing (Suite)

Instrumental indie rock ‘n’ roll stomper. Pounding drum intro, electric guitar riffs, a steady mid-tempo groove and an angular lead guitar solo. Brash, loud and in-your-face, suitable for an attention-grabbing advert, a dash across a busy city or a Film/TV sequence requiring rock ‘n’ roll attitude.

1 minute and 30 second ad-length versions available.

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Special Delivery

No nonsense rock ‘n’ roll. Powerful electric guitar intro riff, joined by drums and intense soloing guitar. Straight up drums with noodling electric guitar soloing in bursts. Lighter, more 60s vibe to the next section. Brash, bold and self-assured. Reminiscent of Neil Young’s more rock ‘n’ roll moments, or of a 1970s hyper-masculine rock band or Mick Jagger throwing shapes. A School of Rock-style solid jam for TV or Doc moments where strutting and playing air guitar are required and encouraged.

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Nothing Matters But The Joy

An upbeat, but relaxed, steady jazz jam on piano, guitar, double bass and drums. Jazz piano to start, joined by double bass and cymbal rattles. Electric guitar takes the melody with piano chord progressions underneath. Guitar solos, with drums and bass intensifying before dropping out, leaving the piano to take an intimate solo turn. All return to the original melody, keeping things sweet, with guitar gently improvising. Happy, hopeful, fun, safe and wholesome. The opening credits of a film set on the East Coast of the US, driving home over crunchy Autumn leaves, met by a happy dog at the door. Safe and warm in wholesome America. Or it could be New York in the 80s of goofy feelgood American comedy .Three Men and A Baby without the drama.

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Pagume

African jazz instrumental. Snaking double bass intro, joined by jazz drums, vibraphone, electric guitar and keyboard playing a rhythmic motif. Change of rhythm, horn blasts then saxophone melody, subtle African-jazz style, effects-heavy electric guitar solo, brass noise before vibraphone motif returns and all play until the finish. Intriguing, exotic and sensual, with hints of Mulatu Astatke and a little Fela Kuti influence, would suit a travel documentary or Film/TV scene evoking the spirit of a hot night in urban 1970s Africa.

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Hump Back Blues

Jaunty acoustic guitar track. Solo blues guitar in finger-picking style, breezy and cheerful. Hints of jazz and improv in the mid-section. Slower, more expressive section to finish. Nostalgic, thoughtful and pastoral, would suit fun, American style TV/Film scenes or a playful nature documentary tracking fun-loving animals.

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