“I know, I’ll call this track “Happy Song”. Imaginative. But it gets straight to the point. And yes it IS relaxed and cheerful, with nice and easy acoustic guitars and a predictable pop-rock arrangement. Hey man, it’s not all bad, in fact it’s aaaaall good. Come and have a beer with me and my family. That is the power of Happy Song. Will fit corporate videos, product showcases, and scenes where a light positive music commentary is needed.
Light and smooth, with solid acoustic guitars and honest vocals that make for a warm pop-rock episode with a folk edge. Variation to the main theme at 1:40 seconds. Ideal for light advertising, end title sequences and modern dramas.
Fun and optimistic, featuring crunchy guitars and a catchy whistle tune that makes for a fun indie-pop tune. Pauses at 2:00 and then gradually rebuilds towards the end section. Ideal for corporate videos, ads, charities and opening/closing credits. Alternative versions with vocals and plain instrumental available.
A chirpy synth catchy bass line is joined by balmy evolving synth and chiming bells in a build towards a rush of euphoria in the chorus. A feeling of being a robot in the ocean and suddenly a huge school of tropical fish rush through you. Happy, lush, futuristic and expansive.
Fun and celebratory, a grand and colourful orchestration gives a sense of contagious energy. Magic is in the air, as the twisty dialogues between flute, oboe and brass remind us in the middle section. With a great impulse for discovery and adventure, it will suit both a Hollywood and Japanese cartoon style fast paced setting.
Catchy, cheesy and energetic, this mid-tempo track features a funky beat with clav, drums, and brass section. At 1:05 it features a quirky reverberated vibraphone. Tongue in cheek and in your face, it pays homage to Soul/RnB/Funk, ideal for something like Supermarket Sweep.
A compelling dialogue between a crunchy electric guitar and brass instruments, this tune successfully mixes mid-sixties elements with an energetic funky attitude. In the second part the brass section delivers a Ska punk aftertaste. Urge Overkill and sped-up Al Green make for a Tarantino-esque setting. Ideal for a title sequence, ad campaigns, TV shows.
Engaging and uplifting, this track combines elements of Latin world music with Spanish Flamenco. It features a slick dialogue between two acoustic guitars, drums with percussions and two chorus-like episodes at 0:55 an d 1:22. Paco De Lucia and Pat Metheny shake hands. Ideal for a documentary title sequence, film promos, travel scenes, and ad campaigns.
Reflective and mellow track featuring a bell-like synth. At 0:48 a Trip hop beat makes its way in and marks a shift in intensity. Morcheeba and Groove Armada alike, this piece is perfect for chilled, peaceful settings, possibly offering a certain degree of anticipation.
Chilled instrumental jazz track. Shuffling drums, downbeat piano chords, thoughtful piano melody with a jazz tonality. Brass enters, repeated a piano phrase. Melody repeated on piano, joined by Rhodes piano, double bass, punctuated by brass notes. Dreamy section, woozy brass, lightly strummed electric guitar, delicate piano motifs, chilled drums with Ethiopian jazz influences and bright chords. All join on relaxed version of original melody. Relaxed, warm and a little bit mysterious, perfect background music for a curious documentary or for a laid back yet reflective Film/TV scene.