Happy intro with solo violin riffs and evolving arpeggios, quickly form a firm driving groove with a strong roving bass line. Mood is neutral but chilled, then after a few breakdowns at 3:07 it reduces to a stomping 4-to-the-floor cut down beat before the rest of the elements crash back in. I could personally listen to that reduced beat all day – awesome production throughout. Understated, refined and sophisticated. Vox version has a soulful male voice (Elliot Chapman).
Tag Archives: Melancholy
Oubliette (Suite)
Gentle pensive piano track. Slow repeated piano motif, extra piano line added and subtly building orchestral strings. Thoughtful and reflective, sad yet hopeful, would suit an advert for insurance or healthcare, hope of a bright future in the face of today’s sadness and loss.
Piano Only version available.
1 min and 30 secs ad length versions available.
Breathe
Ambient, minimal piano, slightly stilted, is joined by gentle but clear acoustic guitar, creating feelings of tension and release. Builds with light percussion and minimal kick drum to a tense crescendo. Relief in the second half, with an open and “breathable” ending. Serious but also hopeful, and ultimately serene.
Sarah’s Ambience
Uneasy tones, starting with radio static and joined by metallic morphing harmonies. Perfect backdrop for suspense and drama. Expansive and desolate.
Versions with acoustic guitar and minimal acoustic guitar
Music for an Underground Circus
The sound of a half-forgotten carnival, for harmoniums, toy piano and strings. Slow, steady, expressive and sad. Dramatic and slightly unwell.
Making Jack a Dull Boy
Dark atmospheric piano elements with tambourine and other percussion. Grooving and dissonant, building with tense octave notes. Sounds like: Tom Waits’ soundtrack to Down By Law.
Ladybirds
Delicate harmonies on strings, with later gentle percussion and theremin-like synthesiser.
Judas
Uncomfortable reggae-funk, with what sounds like electronic braying donkeys in the background (melodica). A quizzical brooding atmosphere with heavy beats. Imagine a slightly dysfunctional circus-like “Your Woman” by White Town.
Dog Sled
Melodicas, Mandolin, strings, whistling and – get this – dog-like Inuit singing combine to create a rhythmic, snowy landscape atmosphere. Melancholy, otherworldly and humorous.
Exodus
Heartbeat like trepidation, leads to gentle electronic buildup in expectancy. Chilled and slowly rousing, punctuated with bursts of electric guitar. Hiding from The Terminator meets 80’s stakeout.