That’s for Eating With

Quirky instrumental. Dramatic opening, sustained keys and brass, sounds like the electronic rainbow blasts of Animal Collective. Gives way to a meandering jazz saxophone joined by a brass blast then an unexpected quirky percussive section with piano and a big build, all instruments in, like the finale of a stadium rock concert. Sparse breathy saxophone section before another epic blast of noise. Solo sax then all instruments in, strings, drums, percussion, vocals and brass with drum crashes and wallops before a peaceful end. Bombastic and epic with slow, thoughtful sections, a fun mix of styles and moods, would suit a silly Film/TV scene humorous advert for a bonkers product.

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Voices of the Night

Unsettling electronic track. Random beats and electronic sound effects build a rhythmic base, unusual sound sources used to create percussive, sensory music. Bird sounds and male vocal samples introduced, like a call to prayer over glitchy beats. Strange, unexpected and off-kilter, experimental electronics to suit a curious, Vice-style documentary or quirky advert.

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Nakasila

Rhythmic track made with sounds from the human body. Clapping, breathing and playful vocals interspersed with a repetitive acoustic guitar motif and synth bass line, adding depth and sweetness. Light and airy, percussive and cyclical, suitable for a dreamy onscreen interlude.

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Mercury Piano

Solo piano track. Quiet, chordal beginning develops into an elaborate repetitive motif into a more percussive section with polyphonic rhythms. Tentative then dramatic, this piece would suit an advert for a life-saving service or a tense Film/TV soundtrack.

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