Weird and bouncy, with syncopated djambees and a tentative double bass that dialogue together in a sort of silly and somewhat sinister 30 seconds of music. It has an interesting edge of dark playfulness that will suit off-advertising but also mickey-mousing of animated characters. Drunk and Disney.
Serene and heartwarming, with a playful small orchestra that delightfully instils a sense of discovery and earthy feelings. Will suit nature documentaries and animations. Tender and relaxing mood with springtime, flowers, and butterflies in mind.
Quirky and ethereal, with gritty bass synths and dreamy bells that create a playful but weird succession of chords. It is tender and mellow but also slightly unsettling. Synthetic flavour that would lead to generative music domains. A baby robot tentatively takes its first steps into a foreign world.
Dark and groovy, with a low-key drum machine beat and gritty inserts of synth and classical instruments that make for a mysterious and hypnotic ambient setting. Minimal and foreboding but not without a sense of humour, good for introspective and quirky scenes. We’re definitely waiting for something to happen.
Hypnotic and dark, with a dissonant edge given by atmospheric strings pads and a drony bass synth with percussion. There’s a simple harmony and a sense of anticipation built with a delicate yet firm manner. It will serve very well as background music for video games, and TV shows with a futuristic flavour.
Catchy and playful, with Jazz elements such as alto sax, piano, contrabass and drums to deliver a smooth and swing feel. It follows an A-A-B-A structure and features solos by sax, piano and bass. Great for scoring comedies, adverts and as background music.
Alluring and delicate, featuring an arpeggiated celesta complemented by textures of airy synth pads and strings that bring the listener to a dreamy and contemplative state of mind. Great for otherworldly, magical and quirky characterisations.
Playful and quirky, featuring hopping strings nested in a modern orchestral setting that create lively dissonant ostinatos and spirited recurring themes.
Delicate yet unsettling, with a dissonant flute and a jaunty piano that deliver a strangely playful but darkish tone in the same vein as a contemporary classical music piece.
Intense and dramatic, with intertwined strings fraseggi and rhythmical cello structures that give a dissonant sense of broken romance. Fingers pointed to early sixties Bernard Hermann scores, such as the ones for Hitchcock movies, albeit in a more darkish way.